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DTSTART;TZID=America/New_York:20230714T080000
DTEND;TZID=America/New_York:20231029T200000
DTSTAMP:20260410T122541
CREATED:20230919T124126Z
LAST-MODIFIED:20230919T124356Z
UID:3369-1689321600-1698609600@bornbuffalo.com
SUMMARY:A Light Under the Bushel: Paintings by Julia Bottoms
DESCRIPTION:A Light Under the Bushel: Paintings by Julia Bottoms\nOn View\nJul 14\, 2023 – Oct 29\, 2023\nThe practice of portraiture has historically served to not only represent the subject but to also preserve their spirit in its most honest form. For Buffalo-based visual artist Julia Bottoms\, traditional portraiture is a means to express the nuance and complexities of Black identity beyond limiting\, reductive stereotypes. Thinking through historic periods in which portraits were commissioned for figures of prominence\, Bottoms’ practice interrogates portraiture as a concept of record. The inclusion – or lack thereof – of Black and Brown bodies in classical portraiture has inspired a new series and conceptual direction in her work.  \nA Light Under the Bushel features work from this new series\, building upon the artist’s interest in expanding narratives around representations of Blackness. Black and Brown people certainly existed during times like the Renaissance and Victorian eras when classical portraits were created. However\, their inclusion in such works is rare and highly circumstantial\, their lives rarely deemed important enough to be documented by fine art. Bottoms’ new paintings push against this\, emphasizing that they have always been an important part of history. Inspired by portraits of these eras\, her work fuses the historic with the contemporary through her models’ dress. Her work is reminiscent of the recontextualization of blackness throughout history seen in the work of portrait artist Kehinde Wiley. However\, Bottoms moves in a different direction by employing soft\, gestural brush strokes and posing her models to emulate classical depictions of saints\, Madonna and Child\, warriors\, and other angelic beings\, imbuing her figures with an ethereal presence.  \nBottoms reflects on the allusion to religious iconography as twofold in an artist statement on the series:   \nFirst\, it’s meant to convey the intangible spiritual aspect of each person depicted. Second\, it is a reference to Black and Brown bodies as they relate to the history of Christianity. Growing up religious\, I often felt a disconnect between the Eurocentric imagery in religious art and what I knew to be the factual appearance of people from the regions described in the Bible. People from the Middle East and North Africa are people of color. The shades and features of Biblical characters would have varied\, but the fact that they were of color is undeniable. So it stands to reason that that would be reflected in classical art depictions. However\, that is not the case. This exclusion comes with an implication; The alignment of whiteness with purity/goodness and Blackness with corruption/evil has had far-reaching psychological ramifications for us all. In the case of Biblical depictions\, this is not only a lack of inclusion\, it is erasure.  \nAs I worked on the series\, a particular verse came to mind. In Matthew 5:15-16 Jesus says: “Neither do people light a lamp and put it under a bowl. Instead they put it on its stand\, and it gives light to everyone in the house. In the same way\, let your light so shine before others\, that they may see your good deeds and glorify your Father in heaven.”  \nI kept thinking about all the talents\, all the goodness\, and all the truly great accomplishments\, lost to time because a person’s skin color disqualified them from being recorded. How many lights were placed under a bushel and how deeply has humanity missed out on great minds for it? How many scientists\, poets\, mathematicians\, and philosophers have been lost to institutional bushels? The light we each possess is still subject in part to the roles we are forced into and the circumstances we must endure. But a light is still a light regardless of its location. In covering it\, the light does not cease to be what it is\, rather it is *us* who miss out on its illumination. \nOverall\, this series is meant to spark our imaginations. History cannot be re-written; however\, we can find value in reflecting on what inclusion could have looked like. Additionally\, perhaps this imagery can inspire an excavation of sorts\, in which we search for the accomplishments that have been recorded but ignored or distorted. It is my hope that the work will inspire the contemporary art world and artists going forward. Above all\, I challenge the viewer to value the light of every individual and to never be the bushel that conceals it. \nA Light Under the Bushel: Paintings by Julia Bottoms is made possible through the generosity of our presenting sponsor\, M&T Bank. For his leadership commitment\, we gratefully acknowledge Senator Sean M. Ryan\, with additional thanks to James & Dorothy Pappas and Gary & Willow Brost for their generous support.
URL:https://bornbuffalo.com/event/a-light-under-the-bushel-paintings-by-julia-bottoms/
LOCATION:Burchfield Penney Art Center\, 1300 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Art Event,Buffalo Event,Family
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/JuliaBottoms-scaled.jpeg
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DTSTART;TZID=America/New_York:20230922T080000
DTEND;TZID=America/New_York:20231222T200000
DTSTAMP:20260410T122541
CREATED:20230919T182607Z
LAST-MODIFIED:20230919T182618Z
UID:3409-1695369600-1703275200@bornbuffalo.com
SUMMARY:Communities: Trust The Front Yard Film Screening Series
DESCRIPTION:Communities: Trust\nThe Front Yard Film Screening Series \nSep 22\, 2023 – Dec 22\, 2023\nThe Front Yard film screening series features seasonally changing projected media art programs\, highlighting the work of Western New York artists. The inaugural program revolves around the theme of communities: trust\, coinciding with The 2023 Buffalo Humanities Festival. Presentations will begin after dark each night and will run for three months. \nCommunities: Trust\, guest curated by Dorothea Braemer\, Lukia Costello\, and  Meg Knowles\, tackles the topic of community and trust through the lens of the diverse perspectives of 10 regional media artists. Tammy McGovern’sAutostorm presents a notion of community disappeared into the confines of our cars. Kyla Kegler’s Monster Society performatively studies alienation and finding ways to approach community. Her Own Hero by Lukia Costello and the late Tilke Hill tackles the history of women’s self-defense\, and Harlem Nights by Kaitlyn Lowe celebrates the community of radical artists of the Harlem Renaissance in the form of a visual poem.  In Savage Future\, Terry Jones interrogates the American-Indian boarding school experience and in Mrs. Snow\, Annette Daniels-Taylor explores the mindset of a mid-century  African-American domestic worker.  Olurotimi Akanbi’sUrban Transitions draws attention to the contrast between communities in urban and rural landscapes in and around Buffalo\, while Edreys Wajed’s The Sidewalk imagines community from the perspective of a sidewalk on Buffalo’s East Side. Interwoven throughout the program are pieces by Phil Hastings and David Mawer.   Three pieces from Phil Hasting’s poetic fragmentum series metaphorically address community through evocative studies of humans and nature.  Seven playful geometric studies from David Mawer reference landing sequences and the pull of gravity through patterns of undulating dots\, lines and shapes\, sometimes superimposed over maps. \nDorothea Braemer and Meg Knowles are filmmakers and professors in the media production major at Buffalo State University\, and Lukia Costello\, also a filmmaker\, is the founding director of the Spark Filmmaker Collaborative and the Micromania Film Festival. \nCommunities: Trust – Program Order and Credits:\nTammy McGovern  – Autostorm\, 2023   \nKyla Kegler – Monster Society\, 2022 \nDavid Mawer – Lerp Puppet Strings\, No. 1\, 2023 \nPhilip Hastings –  fragmentum 62 (c)\, 2017 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 3\, 2023 \nLukia Costello and Tilke Hill – Her Own Hero\, 2022 \nDavid Mawer – Algorithm for a Gravity Wave: Dots\, 2023 \nKaitlyn Lowe – Harlem Nights\, 2022 \nPhil Hastings – fragmentum 37 (b)\, 2018 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 2\, 2023 \nTerry Jones – Savage Future\, 2022 \nAnnette Daniels-Taylor – Mrs. Snow\, 2017\, 2018 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 1\, 2023 \nOlurotimi Akanbi – Urban Transitions\, 2022 \nDavid Mawer – Algorithm for a Gravity Wave: Grid\, 2023 \nPhil Hastings – fragmentum 43 (b)\, 2019 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 4\, 2023 \nEdreys Wajed – The Sidewalk\, 2018 \nTRT: 32 mins 48 seconds
URL:https://bornbuffalo.com/event/communities-trust-the-front-yard-film-screening-series/
LOCATION:Burchfield Penney Art Center\, 1300 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Art Event,Buffalo Event
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DTSTART;TZID=America/New_York:20231004T190000
DTEND;TZID=America/New_York:20231004T190000
DTSTAMP:20260410T122541
CREATED:20230918T130610Z
LAST-MODIFIED:20230918T130610Z
UID:3230-1696446000-1696446000@bornbuffalo.com
SUMMARY:Stevie Nicks
DESCRIPTION:Stevie Nicks \nLEGENDARY SINGER\, SONGWRITER AND STORYTELLER \nSTEVIE NICKS ANNOUNCES ADDITIONAL DATES TO 2023 TOUR \nCIL will be opening for Stevie Nicks \nEsteemed Rock and Roll Hall of Famer Stevie Nicks will keep the momentum of her wildly successful 2023 tour going by adding thirteen additional performances to her Live In Concert tour. Produced by Live Nation\, the second leg starts Tuesday\, August 8 at Fiserv Forum in Milwaukee\, making stops in Austin\, New York\, Detroit\, San Diego\, and more before wrapping up on Tuesday\, December 5 at Acrisure Arena in Palm Desert. \nJoining Stevie Nicks on her tour will be CIL. Hailing from Fort Collins\, CO\, 20-year old Pop/R&B singer-songwriter CIL is an artist well beyond her years. Having moved to Los Angeles by herself at the age of 18 to pursue a career in music\, CIL has never been afraid to live her life the way she sees fit – even when it’s resulted in hurt and heartbreak for her. Unashamedly writing her life’s most raw and vulnerable experiences into her songs\, CIL’s material and influence has led her to creating an authentic sound that lives between Pop and Soul music. Having spent the last year and a half developing her sound and her purpose as an artist\, CIL is more clear than ever and prepped with a plethora of records ready to release. Now set to put out her debut single “One More Shot” on October 5th in the midst of viral success on TikTok\, CIL is ready to spread her music and message to the masses. \nSTEVIE NICKS 2023 TOUR DATES: \nTue May 16 – Knoxville\, TN – Thompson-Boling Arena \nMon May 22 – Atlanta\, GA – State Farm Arena \nThu May 25 – Orlando\, FL – Amway Center \nTue Jun 20 – Toronto\, ON – Scotiabank Arena \nFri Jun 23 – Chicago\, IL – United Center \nTue Jun 27 – Louisville\, KY – KFC Yum! Center \nTue Aug 08 — Milwaukee\, WI — Fiserv Forum \nSat Aug 12 — Houston\, TX — Toyota Center \nTue Aug 15 — Austin\, TX — Moody Center \nWed Sep 27 — Pittsburgh\, PA — PPG Paints Arena \nSun Oct 01 — New York\, NY — Madison Square Garden \nWed Oct 04 — Buffalo\, NY — KeyBank Center \nSat Oct 28 — Memphis\, TN — FedExForum \nWed Nov 01 — Savannah\, GA — Enmarket Arena \nSat Nov 04 — Allentown\, PA — PPL Center ^ \nTue Nov 07 — Detroit\, MI — Little Caesars Arena \nWed Nov 29 — San Diego\, CA — Viejas Arena \nSat Dec 02 — Inglewood\, CA — The Kia Forum \nTue Dec 05 — Palm Desert\, CA — Acrisure Arena \nTue Dec 12 – Sacramento\, CA – Golden 1 Center \nFri Dec 15 – San Francisco\, CA – Chase Center \nAbout Live Nation Entertainment \nLive Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster\, Live Nation Concerts\, and Live Nation Sponsorship. For additional information\, visit www.livenationentertainment.com.
URL:https://bornbuffalo.com/event/stevie-nicks/
LOCATION:KeyBank Center\, 1 Seymour H Knox III Plaza\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/StevieNicks.jpeg
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