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DTSTART;TZID=America/New_York:20230922T080000
DTEND;TZID=America/New_York:20231222T200000
DTSTAMP:20260412T134311
CREATED:20230919T182607Z
LAST-MODIFIED:20230919T182618Z
UID:3409-1695369600-1703275200@bornbuffalo.com
SUMMARY:Communities: Trust The Front Yard Film Screening Series
DESCRIPTION:Communities: Trust\nThe Front Yard Film Screening Series \nSep 22\, 2023 – Dec 22\, 2023\nThe Front Yard film screening series features seasonally changing projected media art programs\, highlighting the work of Western New York artists. The inaugural program revolves around the theme of communities: trust\, coinciding with The 2023 Buffalo Humanities Festival. Presentations will begin after dark each night and will run for three months. \nCommunities: Trust\, guest curated by Dorothea Braemer\, Lukia Costello\, and  Meg Knowles\, tackles the topic of community and trust through the lens of the diverse perspectives of 10 regional media artists. Tammy McGovern’sAutostorm presents a notion of community disappeared into the confines of our cars. Kyla Kegler’s Monster Society performatively studies alienation and finding ways to approach community. Her Own Hero by Lukia Costello and the late Tilke Hill tackles the history of women’s self-defense\, and Harlem Nights by Kaitlyn Lowe celebrates the community of radical artists of the Harlem Renaissance in the form of a visual poem.  In Savage Future\, Terry Jones interrogates the American-Indian boarding school experience and in Mrs. Snow\, Annette Daniels-Taylor explores the mindset of a mid-century  African-American domestic worker.  Olurotimi Akanbi’sUrban Transitions draws attention to the contrast between communities in urban and rural landscapes in and around Buffalo\, while Edreys Wajed’s The Sidewalk imagines community from the perspective of a sidewalk on Buffalo’s East Side. Interwoven throughout the program are pieces by Phil Hastings and David Mawer.   Three pieces from Phil Hasting’s poetic fragmentum series metaphorically address community through evocative studies of humans and nature.  Seven playful geometric studies from David Mawer reference landing sequences and the pull of gravity through patterns of undulating dots\, lines and shapes\, sometimes superimposed over maps. \nDorothea Braemer and Meg Knowles are filmmakers and professors in the media production major at Buffalo State University\, and Lukia Costello\, also a filmmaker\, is the founding director of the Spark Filmmaker Collaborative and the Micromania Film Festival. \nCommunities: Trust – Program Order and Credits:\nTammy McGovern  – Autostorm\, 2023   \nKyla Kegler – Monster Society\, 2022 \nDavid Mawer – Lerp Puppet Strings\, No. 1\, 2023 \nPhilip Hastings –  fragmentum 62 (c)\, 2017 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 3\, 2023 \nLukia Costello and Tilke Hill – Her Own Hero\, 2022 \nDavid Mawer – Algorithm for a Gravity Wave: Dots\, 2023 \nKaitlyn Lowe – Harlem Nights\, 2022 \nPhil Hastings – fragmentum 37 (b)\, 2018 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 2\, 2023 \nTerry Jones – Savage Future\, 2022 \nAnnette Daniels-Taylor – Mrs. Snow\, 2017\, 2018 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 1\, 2023 \nOlurotimi Akanbi – Urban Transitions\, 2022 \nDavid Mawer – Algorithm for a Gravity Wave: Grid\, 2023 \nPhil Hastings – fragmentum 43 (b)\, 2019 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 4\, 2023 \nEdreys Wajed – The Sidewalk\, 2018 \nTRT: 32 mins 48 seconds
URL:https://bornbuffalo.com/event/communities-trust-the-front-yard-film-screening-series/
LOCATION:Burchfield Penney Art Center\, 1300 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Art Event,Buffalo Event
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/thecoming-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231013T080000
DTEND;TZID=America/New_York:20240128T200000
DTSTAMP:20260412T134311
CREATED:20230919T124713Z
LAST-MODIFIED:20230919T124720Z
UID:3373-1697184000-1706472000@bornbuffalo.com
SUMMARY:A Clearing View Charles E. Burchfield Reframed
DESCRIPTION:A Clearing View\nCharles E. Burchfield Reframed \nOct 13\, 2023 – Jan 28\, 2024\nCharles E. Burchfield was one of the great American artists of the 20th century\, but his work is sometimes overlooked as are many works on paper\, because they cannot be left on museum walls for years at a time. They are also shown behind glass\, which presents viewers with reflections of themselves\, distorting the work itself. This exhibition is the beginning of an effort to both literally and metaphorically reframe his paintings and offer an unencumbered view of his brilliant work\, properly presented and celebrated the way it can be today. \nThe 1930s were an important time in Burchfield’s career. It was during this decade that his work was featured in the first solo exhibition ever held at the then new Museum of Modern Art in New York City. After quitting his job at the Birge Wallpaper company in 1929\, Burchfield was finally able to devote all of his energy to painting. Around the same time\, he started building his own frames to display his work. On August 29\, 1934\, he wrote in his journal: \nWorking these last few days again on frames; it is hard work\, but at times enjoyable. Even the mechanical uncreative parts\, such as rubbing with sand-paper or using the rasp are a physical pleasure\, like walking or swimming. \nWorks from this period\, often presented in large dramatic frames with rustic finishes\, are excellent illustrations of how Burchfield himself intended for the work to be seen. Most of the best examples have little or no matt bordering the work and are presented in the way one might expect to see an oil painting. \nModern glass\, used in everything from windows and lenses to fiberglass and fiber optic cables\, is a building block for civilization. In windows\, it protects people from the elements. Lens technology has allowed people to see more clearly as their sight fails them. Burchfield himself needed glasses to continue painting. On November 24\, 1939\, he wrote: \nA.M. When I tried to draw in the studio\, I found I could not focus on the work at arm’s length. Alarmed\, I called Dr. Bennett\, who\, instead of assuring me it could be remedied\, said it presented quite a problem\, and would I see him at 5:00 P.M. So I had a bad hour or so\, until I reasoned out myself\, that an extra pair of glasses\, with more space for intermediate work\, and less for distance\, should do the trick.  \nIn his journals\, Burchfield often spoke of weather clearing after a storm as the rain or wind that ravaged the landscape moved away. This exhibition does the same. Like those new glasses\, it offers a clearing view of work too long distorted by obsolete glass. By reframing Burchfield’s work\, we also re-present his legacy and its importance in a world that needs his love of nature and his focus on the details in the world around us that anyone can connect with and enjoy.
URL:https://bornbuffalo.com/event/a-clearing-view-charles-e-burchfield-reframed/
LOCATION:Burchfield Penney Art Center\, 1300 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Art Event,Buffalo Event,Family
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Burchfield-scaled.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231013T080000
DTEND;TZID=America/New_York:20240428T200000
DTSTAMP:20260412T134311
CREATED:20230919T190811Z
LAST-MODIFIED:20230919T193751Z
UID:3438-1697184000-1714334400@bornbuffalo.com
SUMMARY:John Wood: The System is Alive
DESCRIPTION:John Wood: The System is Alive \nOct 13\, 2023 – Apr 28\, 2024\nJohn C. Wood (1922-2012) was an educator and artist whose practice transcended divisions of media. Wood taught with distinction at Alfred University from 1954 to 1987 where he developed the photo\, graphic design\, book arts\, printmaking\, and foundation programs in the School of Art & Design. Wood was a revered and influential professor who described his aesthetic practice as “being in the state of drawing” and grounded in his personalized forms of “System Drawing.” These philosophies\, prominent throughout this exhibition\, are the connective tissue for his life’s work.  \nThe exhibition focuses on the relationship between Wood’s visual scholarship and its expression through diverse media\, extending through more than 25 different forms and variants. Among the media are drawings on various substrates\, including a range of papers\, rocks\, and sand\, and an equivalent variety of print media\, including intaglio\, etching\, lithographs\, woodcuts\, silkscreen\, and photography. The photographic works are themselves in a range of formats\, from cyanotypes to multi-media collages. Many of the works seen here have never been exhibited before. In his work\, Wood did not offer answers to questions\, instead presenting pathways for consideration. His work took on a range of subjects\, but ultimately\, they were platforms for conversation on topics of environmental\, political\, and social concerns.  \nNearly all Wood’s notes\, writings on art\, and preparatory works have been held and archived by members of his family. This record of achievement and discovery stretching from 1948 into the new millennium has not previously been studied.  John Wood: The System is Alive represents an in-depth examination of close to 400 of Wood’s notebooks\, sketchbooks\, one-of-a-kind experimental artist’s books\, and unframed preliminary drawings bringing forth a profound reinterpretation and radically new appreciation of the depth and breadth of an artist generally remembered as master photographer and educator.   \nWood’s artwork is in collections nationally. These include Baltimore Museum of Art\, Center for Creative Photography\, George Eastman House\, J. Paul Getty Museum\, Los Angeles County Museum\, The Museum of Modern Art\, The National Gallery of Canada\, The San Francisco Museum of Modern Art\, Sheldon Memorial Art Gallery\, and many others. This exhibition\, curated by Joseph Scheer and organized with help from the supportive team at the Institute for Electronic Arts at Alfred University is presented with support from the Tower Family Fund\, and the Wendt Foundation\, Thanks to Carol Wood and family for all of their great work and Anthony Bannon\, PhD for his review and advice on the broad spectrum of the artist’s career.
URL:https://bornbuffalo.com/event/john-wood-the-system-is-alive/
LOCATION:Burchfield Penney Art Center\, 1300 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Art Event,Buffalo Event
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/JohnWood-scaled.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231103T080000
DTEND;TZID=America/New_York:20231103T153000
DTSTAMP:20260412T134311
CREATED:20231004T151740Z
LAST-MODIFIED:20231004T151740Z
UID:3978-1698998400-1699025400@bornbuffalo.com
SUMMARY:3D Mammography Screening
DESCRIPTION:3D Mammography Screening Event\nHost: Windsong Radiology \nDate: November 3\, 2023 \nJoin Walden Galleria\, and Windsong Radiology Group\, for their 3D Mammography Screening event on Friday\, November 3rd from 8:00am until 3:30pm on the upper level exterior near Macy’s! Most major insurance is accepted. No health insurance? You may be eligible for a FREE mammogram. \nCall 716-929-9494 to make an appointment or click HERE.
URL:https://bornbuffalo.com/event/3d-mammography-screening/
LOCATION:Walden Galleria\, 1 Walden Galleria\, Buffalo\, 14225\, United States
CATEGORIES:Buffalo Event,Family,Workshop
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/10/WindsongAdGalleriaMobileMammoNov3_1080x1080-1170x1170-1.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231103T103000
DTEND;TZID=America/New_York:20231103T103000
DTSTAMP:20260412T134311
CREATED:20231005T111243Z
LAST-MODIFIED:20231005T111253Z
UID:4053-1699007400-1699007400@bornbuffalo.com
SUMMARY:Rachmaninoff Festival: Piano No. 3
DESCRIPTION:Rachmaninoff Festival: Piano No. 3\nOur two-weekend festival recognizing the 150th anniversary of Sergei Rachmaninoff’s birth is anchored by the return of young phenom\, Alexander Malofeev performing the stamina-challenging\, imposing Third Piano Concerto in a program that includes the composer’s hypnotic Vocalise and the haunting tone poem\, Isle of the Dead. \nThe Coffee Concert Series is presented by Highmark \nProgram\nJoAnn Falletta\, conductor\nAlexander Malofeev\, piano \nRACHMANINOFF  Vocalise\nRACHMANINOFF  Isle of the Dead\nRACHMANINOFF  Piano Concerto No. 3 \nAbout Alexander Malofeev\nThe young “Russian genius” (Corriere della Sera) came to international prominence when\, in 2014\, he won the International Tchaikovsky Competition for Young Musicians at age thirteen. “Contrary to what could be expected of a youngster…he demonstrated not only high technical accuracy but also an incredible maturity. Crystal clear sounds and perfect balance revealed his exceptional ability” (Amadeus). Malofeev has quickly established himself as one of the most prominent pianists of his generation. His performances have garnered high praise from critics\, with publications such as Der Standard declaring his debut at the Musikverein as a “world piano revolution.” \nFor the 2023-2024 season\, highlights include Malofeev’s return to the Bournemouth Symphony for a multi-concert residency\, a solo tour in China\, and a European tour with Filarmonica della Scala and Riccardo Chailly\, as well as performances at the Amsterdam Concertgebouw\, Munich Isarphilharmonie\, Elbphilharmonie in Hamburg\, and Carnegie Hall in New York. He continues to perform with the best orchestras: the National Symphony Orchestra\, Lucerne Festival Orchestra\, Frankfurt Radio Orchestra\, Netherlands Radio Philharmonic Orchestra under Kent Nagano\, and Orchestre de la Suisse Romande under Marin Alsop\, among many others. \nMaestro Riccardo Chailly said about the pianist: “I first heard Malofeev when Valery Gergiev performed with him at the Teatro alla Scala…He was only 14\, and he amazed me with his talent. Because that is not just a child prodigy – he is very young\, but already possesses depth and technical abilities\, and also musical and mnemonic\, which makes him an excellent interpreter of the third concerto of Rachmaninoff\, which is a problem for many pianists in the world.” (Corriere della Sera). \nAlexander was born in Moscow in October 2001. Now residing in Berlin\, he continues to give concerts in Concertgebouw (Amsterdam) – where he opened the 30th anniversary concert of the renowned Meester Pianists series – Teatro alla Scala (Milan)\, Musikverein Wien\, Kurhaus Wiesbaden (Germany)\, Alte Oper Frankfurt (Germany)\, Munich Herkulessaal (Germany)\, Tanglewood (USA)\, Philharmonie de Paris\, Philharmonie Luxembourg\, Theater of the Champs-Élysées (France)\, Auditorium Parco della Musica in Roma and Teatro Petruzzelli in Bari (Italy)\, Queensland Performing Arts Centre (Australia)\, Davies Symphony Hall in San Francisco\, Bunka Kaikan Theatre in Tokyo\, Seoul Art Center\, Shanghai Oriental Art Center\, National Centre for the Performing Arts (Beijing)\, and the Royal Opera House Muscat in Oman. \nOver the years\, he has performed with renowned orchestras such as the Philadelphia Orchestra\, Boston Symphony Orchestra\, Orchestra of the National Academy of Santa Cecilia\, Frankfurt Radio Symphony Orchestra\, Lucerne Festival Orchestra\, Orchestra Filarmonica della Scala\, RAI National Symphony Orchestra\, Korean Symphony Orchestra\, Verbier Festival Orchestra\, Orchestre National de Lille\, and many others. \nAlexander Malofeev regularly appears with the most distinguished conductors onstage today\, including Riccardo Chailly\, Mikhail Pletnev\, Myung-Whun Chung\, Charles Dutoit\, Michael Tilson Thomas\, JoAnn Falletta\, Alain Altinoglu\, Susanna Mälkki\, Yannick Nézet-Séguin\, Lionel Bringuier\, Alondra de la Parra\, Kazuki Yamada\, Vasily Petrenko\, Juraj Valcuha\, Kirill Karabits\, Andris Poga\, Fabio Luisi\, and others. \nMalofeev was a guest of world-famous music festivals and series such as Verbier Festival\, International de Piano de La Roque d’Anthéron Festival\, Rheingau Music Festival (Germany)\, Tanglewood Music Festival and Aspen Music Festival (USA)\, Tsinandali Festival (Georgia)\, Master Pianist Series (Amsterdam)\, and the Celebrity Series of Boston. \nIn addition to his first prize at the Tchaikovsky Competition for Young Musicians\, he has won numerous awards and prizes at international competitions and festivals\, including the Grand Prix of the International Competition for Young Pianists Grand Piano Competition\, and the Premio Giovane Talento Musicale dell’anno 2017 (Best Young Musician of 2017). Also in 2017\, Alexander became the first Young Yamaha Artist.
URL:https://bornbuffalo.com/event/rachmaninoff-festival-piano-no-3/
LOCATION:Kleinhans Music Hall\, 3 Symphony Circle\, Buffalo\, NY\, 14201\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/png:https://bornbuffalo.com/wp-content/uploads/2023/10/RachmaninoffFestival-Piano.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231103T190000
DTEND;TZID=America/New_York:20231103T190000
DTSTAMP:20260412T134311
CREATED:20230913T201808Z
LAST-MODIFIED:20230914T114811Z
UID:2951-1699038000-1699038000@bornbuffalo.com
SUMMARY:MAC SABBATH
DESCRIPTION:Funtime Presents\nMac Sabbath\nAges 12+\, Minors under 16 must be accompanied by a parent\nGovernment Issued ID Required
URL:https://bornbuffalo.com/event/mac-sabbath/
LOCATION:Town Ballroom\, 681 Main St.\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Mac_29611690903551.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231103T190000
DTEND;TZID=America/New_York:20231103T190000
DTSTAMP:20260412T134311
CREATED:20230919T113903Z
LAST-MODIFIED:20230919T113903Z
UID:3345-1699038000-1699038000@bornbuffalo.com
SUMMARY:Sabres vs. Flyers
DESCRIPTION:November 03\, 2023\nSabres vs. Flyers \nFor more information go to https://www.nhl.com/sabres
URL:https://bornbuffalo.com/event/sabres-vs-flyers/
LOCATION:KeyBank Center\, 1 Seymour H Knox III Plaza\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Family,Sports
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231103T203000
DTEND;TZID=America/New_York:20231103T203000
DTSTAMP:20260412T134311
CREATED:20230915T172444Z
LAST-MODIFIED:20230915T172444Z
UID:3125-1699043400-1699043400@bornbuffalo.com
SUMMARY:MUST DIE! – VAMPIRE WEAPON TOUR
DESCRIPTION:MNM Presents\nMust Die!\nVampire Weapon Tour\nFriday November 3\nBuffalo Iron Works\nw/ special guest Tisoki\nplus Togeki\, Smileysfate\nMust Die!\nmustdiemusic.com\ntwitter.com/mustdiemusic\ninstagram.com/mustdiemusic\nsoundcloud.com/mustdiemusic \nActing as a rebellious force and the main antagonist of bass music\, there’s no one like MUST DIE!. Between his eccentric state of mind and cutting-edge mettle in the studio\, MUST DIE! caters to an audience with a penchant for forward-thinking sounds that will both challenge and dignify dubstep as we know it. With nearly 10 years under his belt\, MUST DIE! began building his cult with consistent releases on bass music’s most notable labels\, leading him to represent Never Say Die’s prestigious roster. \nHailed as a trendsetter within electronic music\, MUST DIE! reaches beyond the scope of dubstep with each release — his 2014 debut record\, Death & Magic\, set the precedent for his future in dance music\, offering listeners a new take on genres including dubstep\, electro house\, drum and bass\, and more. The start of 2019 established a new era of MUST DIE! with the release of his genre-bending singles “BLISS 2K” and “CHAOS.” Both singles landing at #1 on the Beatport Dubstep Top 100 and reaching over 1 million streams on Spotify\, MUST DIE! sparked a new trend in bass music\, introducing classic rave elements and hard dance components to his catalogue. This year\, MUST DIE! has continued his trend of raising the bar within dance music as he skyrockets off the back of two huge collaborations with Eptic and Zomboy – “Skill Check” and “Last One Standing”. Separating himself from his peers through excellence in production and creativity that simply can’t be copied\, MUST DIE! maintains his own lane and leads the up-and-comers to follow. \nThe unrivalled nature of MUST DIE!’s signature sound and personal brand has taken him to audiences all over the world\, headlining a number of tours through North America\, Europe\, Asia\, Australia\, and more — MUST DIE! has become a global phenomenon through his personal touch in the studio and a loyal fanbase. With a devastatingly powerful discography and a brand that defies the scene\, MUST DIE! remains undefeated. \nw/ special guest \nTisoki\ntisoki.com \nTisoki is a producer from the UK\, whose prominence in the electronic music scene has been proven by his impressive catalogue of dancefloor anthems and melody driven songs alike. Sampling his taste from a selection of different styles\, Tisoki’s pallet has led to creations that exercise his prowess in dubstep and other bass heavy genres\, whilst also indulging in music of a more eclectic form. \nalso feat. \nTogeki\nlinktr.ee/togekidub \nSmileysfate\nsoundcloud.com/smileysfate \nHosted by\nmnmpresents.com
URL:https://bornbuffalo.com/event/must-die-vampire-weapon-tour/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Must-Die.jpeg
ORGANIZER;CN="MNM Presents":MAILTO:mike@mnmpresents
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