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DTSTART;TZID=America/New_York:20230922T080000
DTEND;TZID=America/New_York:20231222T200000
DTSTAMP:20260409T155910
CREATED:20230919T182607Z
LAST-MODIFIED:20230919T182618Z
UID:3409-1695369600-1703275200@bornbuffalo.com
SUMMARY:Communities: Trust The Front Yard Film Screening Series
DESCRIPTION:Communities: Trust\nThe Front Yard Film Screening Series \nSep 22\, 2023 – Dec 22\, 2023\nThe Front Yard film screening series features seasonally changing projected media art programs\, highlighting the work of Western New York artists. The inaugural program revolves around the theme of communities: trust\, coinciding with The 2023 Buffalo Humanities Festival. Presentations will begin after dark each night and will run for three months. \nCommunities: Trust\, guest curated by Dorothea Braemer\, Lukia Costello\, and  Meg Knowles\, tackles the topic of community and trust through the lens of the diverse perspectives of 10 regional media artists. Tammy McGovern’sAutostorm presents a notion of community disappeared into the confines of our cars. Kyla Kegler’s Monster Society performatively studies alienation and finding ways to approach community. Her Own Hero by Lukia Costello and the late Tilke Hill tackles the history of women’s self-defense\, and Harlem Nights by Kaitlyn Lowe celebrates the community of radical artists of the Harlem Renaissance in the form of a visual poem.  In Savage Future\, Terry Jones interrogates the American-Indian boarding school experience and in Mrs. Snow\, Annette Daniels-Taylor explores the mindset of a mid-century  African-American domestic worker.  Olurotimi Akanbi’sUrban Transitions draws attention to the contrast between communities in urban and rural landscapes in and around Buffalo\, while Edreys Wajed’s The Sidewalk imagines community from the perspective of a sidewalk on Buffalo’s East Side. Interwoven throughout the program are pieces by Phil Hastings and David Mawer.   Three pieces from Phil Hasting’s poetic fragmentum series metaphorically address community through evocative studies of humans and nature.  Seven playful geometric studies from David Mawer reference landing sequences and the pull of gravity through patterns of undulating dots\, lines and shapes\, sometimes superimposed over maps. \nDorothea Braemer and Meg Knowles are filmmakers and professors in the media production major at Buffalo State University\, and Lukia Costello\, also a filmmaker\, is the founding director of the Spark Filmmaker Collaborative and the Micromania Film Festival. \nCommunities: Trust – Program Order and Credits:\nTammy McGovern  – Autostorm\, 2023   \nKyla Kegler – Monster Society\, 2022 \nDavid Mawer – Lerp Puppet Strings\, No. 1\, 2023 \nPhilip Hastings –  fragmentum 62 (c)\, 2017 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 3\, 2023 \nLukia Costello and Tilke Hill – Her Own Hero\, 2022 \nDavid Mawer – Algorithm for a Gravity Wave: Dots\, 2023 \nKaitlyn Lowe – Harlem Nights\, 2022 \nPhil Hastings – fragmentum 37 (b)\, 2018 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 2\, 2023 \nTerry Jones – Savage Future\, 2022 \nAnnette Daniels-Taylor – Mrs. Snow\, 2017\, 2018 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 1\, 2023 \nOlurotimi Akanbi – Urban Transitions\, 2022 \nDavid Mawer – Algorithm for a Gravity Wave: Grid\, 2023 \nPhil Hastings – fragmentum 43 (b)\, 2019 \nDavid Mawer – Landing Sequence (for an Interdimensional Fleet)\, No. 4\, 2023 \nEdreys Wajed – The Sidewalk\, 2018 \nTRT: 32 mins 48 seconds
URL:https://bornbuffalo.com/event/communities-trust-the-front-yard-film-screening-series/
LOCATION:Burchfield Penney Art Center\, 1300 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Art Event,Buffalo Event
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/thecoming-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231013T080000
DTEND;TZID=America/New_York:20240128T200000
DTSTAMP:20260409T155910
CREATED:20230919T124713Z
LAST-MODIFIED:20230919T124720Z
UID:3373-1697184000-1706472000@bornbuffalo.com
SUMMARY:A Clearing View Charles E. Burchfield Reframed
DESCRIPTION:A Clearing View\nCharles E. Burchfield Reframed \nOct 13\, 2023 – Jan 28\, 2024\nCharles E. Burchfield was one of the great American artists of the 20th century\, but his work is sometimes overlooked as are many works on paper\, because they cannot be left on museum walls for years at a time. They are also shown behind glass\, which presents viewers with reflections of themselves\, distorting the work itself. This exhibition is the beginning of an effort to both literally and metaphorically reframe his paintings and offer an unencumbered view of his brilliant work\, properly presented and celebrated the way it can be today. \nThe 1930s were an important time in Burchfield’s career. It was during this decade that his work was featured in the first solo exhibition ever held at the then new Museum of Modern Art in New York City. After quitting his job at the Birge Wallpaper company in 1929\, Burchfield was finally able to devote all of his energy to painting. Around the same time\, he started building his own frames to display his work. On August 29\, 1934\, he wrote in his journal: \nWorking these last few days again on frames; it is hard work\, but at times enjoyable. Even the mechanical uncreative parts\, such as rubbing with sand-paper or using the rasp are a physical pleasure\, like walking or swimming. \nWorks from this period\, often presented in large dramatic frames with rustic finishes\, are excellent illustrations of how Burchfield himself intended for the work to be seen. Most of the best examples have little or no matt bordering the work and are presented in the way one might expect to see an oil painting. \nModern glass\, used in everything from windows and lenses to fiberglass and fiber optic cables\, is a building block for civilization. In windows\, it protects people from the elements. Lens technology has allowed people to see more clearly as their sight fails them. Burchfield himself needed glasses to continue painting. On November 24\, 1939\, he wrote: \nA.M. When I tried to draw in the studio\, I found I could not focus on the work at arm’s length. Alarmed\, I called Dr. Bennett\, who\, instead of assuring me it could be remedied\, said it presented quite a problem\, and would I see him at 5:00 P.M. So I had a bad hour or so\, until I reasoned out myself\, that an extra pair of glasses\, with more space for intermediate work\, and less for distance\, should do the trick.  \nIn his journals\, Burchfield often spoke of weather clearing after a storm as the rain or wind that ravaged the landscape moved away. This exhibition does the same. Like those new glasses\, it offers a clearing view of work too long distorted by obsolete glass. By reframing Burchfield’s work\, we also re-present his legacy and its importance in a world that needs his love of nature and his focus on the details in the world around us that anyone can connect with and enjoy.
URL:https://bornbuffalo.com/event/a-clearing-view-charles-e-burchfield-reframed/
LOCATION:Burchfield Penney Art Center\, 1300 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Art Event,Buffalo Event,Family
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Burchfield-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231013T080000
DTEND;TZID=America/New_York:20240428T200000
DTSTAMP:20260409T155910
CREATED:20230919T190811Z
LAST-MODIFIED:20230919T193751Z
UID:3438-1697184000-1714334400@bornbuffalo.com
SUMMARY:John Wood: The System is Alive
DESCRIPTION:John Wood: The System is Alive \nOct 13\, 2023 – Apr 28\, 2024\nJohn C. Wood (1922-2012) was an educator and artist whose practice transcended divisions of media. Wood taught with distinction at Alfred University from 1954 to 1987 where he developed the photo\, graphic design\, book arts\, printmaking\, and foundation programs in the School of Art & Design. Wood was a revered and influential professor who described his aesthetic practice as “being in the state of drawing” and grounded in his personalized forms of “System Drawing.” These philosophies\, prominent throughout this exhibition\, are the connective tissue for his life’s work.  \nThe exhibition focuses on the relationship between Wood’s visual scholarship and its expression through diverse media\, extending through more than 25 different forms and variants. Among the media are drawings on various substrates\, including a range of papers\, rocks\, and sand\, and an equivalent variety of print media\, including intaglio\, etching\, lithographs\, woodcuts\, silkscreen\, and photography. The photographic works are themselves in a range of formats\, from cyanotypes to multi-media collages. Many of the works seen here have never been exhibited before. In his work\, Wood did not offer answers to questions\, instead presenting pathways for consideration. His work took on a range of subjects\, but ultimately\, they were platforms for conversation on topics of environmental\, political\, and social concerns.  \nNearly all Wood’s notes\, writings on art\, and preparatory works have been held and archived by members of his family. This record of achievement and discovery stretching from 1948 into the new millennium has not previously been studied.  John Wood: The System is Alive represents an in-depth examination of close to 400 of Wood’s notebooks\, sketchbooks\, one-of-a-kind experimental artist’s books\, and unframed preliminary drawings bringing forth a profound reinterpretation and radically new appreciation of the depth and breadth of an artist generally remembered as master photographer and educator.   \nWood’s artwork is in collections nationally. These include Baltimore Museum of Art\, Center for Creative Photography\, George Eastman House\, J. Paul Getty Museum\, Los Angeles County Museum\, The Museum of Modern Art\, The National Gallery of Canada\, The San Francisco Museum of Modern Art\, Sheldon Memorial Art Gallery\, and many others. This exhibition\, curated by Joseph Scheer and organized with help from the supportive team at the Institute for Electronic Arts at Alfred University is presented with support from the Tower Family Fund\, and the Wendt Foundation\, Thanks to Carol Wood and family for all of their great work and Anthony Bannon\, PhD for his review and advice on the broad spectrum of the artist’s career.
URL:https://bornbuffalo.com/event/john-wood-the-system-is-alive/
LOCATION:Burchfield Penney Art Center\, 1300 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Art Event,Buffalo Event
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/JohnWood-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231110T080000
DTEND;TZID=America/New_York:20240331T200000
DTSTAMP:20260409T155910
CREATED:20230919T183240Z
LAST-MODIFIED:20230919T183240Z
UID:3412-1699603200-1711915200@bornbuffalo.com
SUMMARY:Art in Craft Media 2023
DESCRIPTION:Art in Craft Media 2023\nPresented by the Sylvia L. Rosen Endowment for Fine Art in Craft Media\nNov 10\, 2023 – Mar 31\, 2024\nPresented by the Sylvia L. Rosen Endowment for Fine Art in Craft Media\, the 15th juried biennial exhibition celebrates and explores the contemporary work of fine artists of the region working with glass\, fiber\, wood\, clay\, metal\, and other craft media. The juror for Art in Craft Media 2023 is artist Peter B. Jones.
URL:https://bornbuffalo.com/event/art-in-craft-media-2023/
LOCATION:Burchfield Penney Art Center\, 1300 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Art Event,Buffalo Event
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/ArtinCraftsMedia-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231110T080000
DTEND;TZID=America/New_York:20240428T200000
DTSTAMP:20260409T155910
CREATED:20230919T190430Z
LAST-MODIFIED:20230919T190430Z
UID:3434-1699603200-1714334400@bornbuffalo.com
SUMMARY:Doug An Inter-Media Enjambment
DESCRIPTION:Doug\nAn Inter-Media Enjambment \nNov 10\, 2023 – Apr 28\, 2024\nDoug is a Video and Sound Installation by Bufffluxus\, an ensemble composed of musicians\, vocalists and artists focused on exploring and developing the ideas and long and short forms proposed by the New Music\, Fluxus and Dada art movements. Doug can best be described as an Inter-Media Enjambment (in literature a continuation of a sentence or idea without interruption) that was created using various methods of Indeterminacy (the act of relying on elements of chance and interpretation where aspects of the work are left open to the interpreter’s free choice.)  \nThe story of Doug is a nostalgic fantasy concerning a pet rodent that was purchased by well-meaning parents to teach their children how to be responsible and care for others. As often happens\, there is a break in communication and Doug’s cage is left open. Being of the age where curiosity makes one less aware of their environment\, Doug wanders in search of comfort in matters of the heart. He quickly learns his pursuits are best served by relying on indeterminacy and an enjambment of ideas and disciplines. His attraction to chance\, abstraction and aspirational thought lead to a variety of emotional adventures that can be thought of as both provocative and ridiculous at the same time. Doug finds himself in a world of inter-media where indeterminacy and predetermined destination has led him to a nostalgic fantasy where he discovers aliens living in Target stores. Surviving on milkshakes and treacherous plants Doug lives in a world of thought whose story of abstraction are indiscernible to the audience. \nText for Doug is by Michael Basinski\, with video and animations by Andrew Deutsch and music by Don Metz. Collaborators created work independently which was jammed together during an editing process. Performers include violinist David Adamczyk\, guitarist Sonny Baker\, vocalist Michael Basinski \, bassist David Benders\, guitarist Don Metz\, percussionist John Smigielski and vocalists Kristen Smigielski and Kevin Thurston.
URL:https://bornbuffalo.com/event/doug-an-inter-media-enjambment/
LOCATION:Burchfield Penney Art Center\, 1300 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Art Event,Buffalo Event
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/doug-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231203T080000
DTEND;TZID=America/New_York:20231203T170000
DTSTAMP:20260409T155910
CREATED:20231203T123838Z
LAST-MODIFIED:20231203T123838Z
UID:7170-1701590400-1701622800@bornbuffalo.com
SUMMARY:DYLAN LEBLANC
DESCRIPTION:Dylan LeBlanc makes his Buffalo Iron Works debut on January 28th\, 2023! \nDylan LeBlanc is engaging and soft-spoken in person\, yet his striking new album Renegade reflects the power of his live show – one that he simply describes as rock ‘n’ roll. While the album was recorded in just 10 days and tracked in three\, the intensity of the project marks the culmination of more than a decade on the road. \n“I like the idea of a renegade — branching off from society or from the structure of the way our world is designed\,” he says of Renegade\, his first album for ATO Records. “It felt right to call it that. I wanted to write about the crueler\, nasty aspects of the world and life.” \nLeBlanc’s observations are woven through Renegade\, though he’s more interested in telling the story than judging the characters for their decisions. The title track\, he says\, is “about troubled cocky young men charming young women who were intrigued by that way of life\, only for it to end in tragedy. I saw this countless times growing up.” Later he writes about his personal efforts to become a stronger person in “Born Again\,” after a childhood of being bullied for his long hair and an adolescence marked by insecurity\, fear\, and anger. \nLeBlanc considers the new album a departure from his past work\, but only because there’s more of an edge to these sessions\, recorded with Grammy-winning producer Dave Cobb in Nashville’s Studio A. This time around\, LeBlanc primarily stayed plugged in for the sessions\, giving Renegade a Tom Petty feel\, charged with a streak of ‘80s rock. “I never really played electric guitar live in the studio like that\,” he says. “I’m so used to the rhythmic\, acoustic thing. It was just like playing in a show.” \nSince 2016\, LeBlanc has toured with Alabama rock group The Pollies as his backing band. He’s known most of the band members since childhood\, growing up together in Muscle Shoals\, and considers them his closest friends. Because they’ve been playing songs on Renegade live\, it was only logical that the Pollies backed up LeBlanc in the studio\, too. \n“They bring out a comfort in me to let loose\, let myself go a little bit more\, and get more immersed in the music\,” LeBlanc says. “It’s such a telekinetic thing\, because we’ve known each other for so long and we’ve played together a lot. It’s a band of guys that I know musically really well. They let me express myself creatively in a way that I probably wouldn’t be comfortable enough to do before.” \nThese expressions are sometimes borne out of conversations with strangers\, such as the woman in “Domino” who shared her stories of prostitution with him\, or the man he met in New Orleans who inspired “Bang Bang Bang\,” whose life was dramatically altered by gun violence. On a more personal note\, “Damned” finds LeBlanc trying to wrap his head around religion\, while “I See It in Your Eyes” and “Lone Rider” capture the complications of relationships. One of the album’s quieter moments\, “Sand and Stone” is an effort to live in the present moment. As Renegade draws to a close\, “Magenta” evokes the slave history of a farm in Louisiana\, while “Honor Among Thieves” makes a powerful statement about ancestry\, immigration laws\, and land rights. \nLeBlanc’s previous album\, 2016’s Cautionary Tale\, offered a satisfyingly mellow vibe in line with the ‘70s musicians who influenced him. However\, once he started touring with the Pollies\, the sonic textures began to shift. Yet\, one of the strongest ties between the albums is LeBlanc’s blossoming confidence as a singer. The range and depth he showed as a vocalist on Cautionary Tale run throughout the 10 songs on Renegade. \n“I think my voice is definitely something I had to find\,” he says. “I didn’t have the range that I have now. Somebody told me\, ‘Your voice is like a muscle. The more you use it\, the stronger it gets.’ I really took that to heart. I always tried to go further than what I was capable of\, and push harder for it\, which is sometimes embarrassing\, but sometimes it works out. Over time I could sing a lot higher\, and had more range and more development. Also\, playing shows helps your voice. You can’t substitute experience.” \nAs a boy\, LeBlanc lived in Austin\, Texas\, with his mother\, stepfather\, a brother and sister. When the kids would go visit their paternal grandmother in Shreveport\, Louisiana\, LeBlanc would constantly replay of a videotape of his dad playing guitar in a band called The Underground\, strumming along with a toy guitar. Before long\, music became an obsession. In his early teens\, LeBlanc absorbed the ‘80s music his mother preferred\, like The Police and U2. Meanwhile\, his grandmother encouraged him to keep writing music and introduced him to important songwriters like John Prine and Merle Haggard. He’d spend hours in his bedroom learning guitar by playing along with CDs. \nBecause his father James LeBlanc was a staff writer at FAME Enterprises in Muscle Shoals\, Dylan spent years hanging around the office\, getting to know founder Rick Hall. In contrast to the city’s incredible soul and rock heritage\, most of LeBlanc’s friends were listening to metal\, though personally LeBlanc was drawn to albums by Bright Eyes\, Leonard Cohen and Neil Young. At 16\, he dropped out of high school to join a rock band. He’s maintained a music career ever since\, and the release of Renegade means another global trek with the band\, which he fully embraces. \n“I really like to be goofy and joke with them a lot\, but also to get deep with people and have real conversations\, and talk about the things that matter\,” says LeBlanc\, who now lives in Nashville. “I don’t read anything that doesn’t help me grow as a person in some way. I don’t read novels anymore. I don’t read for entertainment. I just read to grow. I feel like I want to have a conversation with people who are looking to grow and move forward in their own spiritual way.” \nBuffalo Iron Works\n49 Illinois St Buffalo\, NY 14203\nTickets: $20 ADV/$25 DOS \nDoors: 7:00pm\nShow: 8:00pm\nAges: 18+
URL:https://bornbuffalo.com/event/dylan-leblanc/
LOCATION:NY
CATEGORIES:Buffalo Event,Live Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231125T100000
DTEND;TZID=America/New_York:20231125T160000
DTSTAMP:20260409T155910
CREATED:20231125T133203Z
LAST-MODIFIED:20231125T133217Z
UID:6780-1700906400-1700928000@bornbuffalo.com
SUMMARY:Textile Curiosities
DESCRIPTION:Textile Curiosities\nStep into a world where art and nature converge in a display of faux-taxidermy moth and butterfly sculptures. Aleah Ford\, known as “Moth On The Wall\,” invites you to experience the enchanting realm of these ephemeral creatures through her meticulously crafted works. In this exhibition\, Aleah’s sculptures come to life using textiles\, wire\, faux fur\, clay\, and flocking. The sculptures are presented within shadow boxes\, reminiscent of Victorian curiosity cabinets\, inviting viewers to step back in time to an era of exploration and discovery. Each box offers a glimpse into the fascinating world of the Lepidoptera.
URL:https://bornbuffalo.com/event/textile-curiosities/
LOCATION:Botanical Gardens\, 2655 South Park Avenue\, Buffalo\, NY\, 14218-1526\, United States
CATEGORIES:Buffalo Event,Speaker,Workshop
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/11/Textile_Curiosities.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231203T130000
DTEND;TZID=America/New_York:20231203T130000
DTSTAMP:20260409T155910
CREATED:20230915T190543Z
LAST-MODIFIED:20230915T190543Z
UID:3193-1701608400-1701608400@bornbuffalo.com
SUMMARY:The Nutcracker
DESCRIPTION:The Nutcracker\nNeglia Ballet\, Buffalo Philharmonic Orchestra\, Shea’s Performing Arts Center
URL:https://bornbuffalo.com/event/the-nutcracker-2/
LOCATION:Shea’s Buffalo Theatre\, 646 Main Street\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Buffalo Event,Family,Live Music,Theater
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/nutt.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231128T193000
DTEND;TZID=America/New_York:20231128T193000
DTSTAMP:20260409T155910
CREATED:20230930T141010Z
LAST-MODIFIED:20230930T141022Z
UID:3896-1701199800-1701199800@bornbuffalo.com
SUMMARY:Dixie’s Tupperware Party
DESCRIPTION:Dixie’s Tupperware Party Starring Dixie Longate originally scheduled to play Shea’s Smith Theatre Tuesday\, September 19-Sunday\, September 24\, is rescheduled to Tuesday\, November 28-Sunday\, December 3. All tickets will be honored for the new dates; no action is required by ticketholders. \nDixie Longate is the fast-talking\, gum chewing\, ginger-haired Alabama gal who is bringing your grandma’s Tupperware party into the 21st century. Audiences howl with laughter as Dixie demonstrates the many alternative uses for the iconic plastic kitchen staple. Filled with outrageously funny tales\, heartfelt accounts\, audience participation and a little bit of empowerment and homespun wisdom\, Dixie’s Tupperware Party leaves your heart a little bigger and your food a little fresher.
URL:https://bornbuffalo.com/event/dixies-tupperware-party/
LOCATION:Shea’s Smith Theatre\, 654 Main Street\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Buffalo Event,Comedy,Theater
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Dixie.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231203T130000
DTEND;TZID=America/New_York:20231203T160000
DTSTAMP:20260409T155910
CREATED:20231124T152809Z
LAST-MODIFIED:20231124T154553Z
UID:6677-1701608400-1701619200@bornbuffalo.com
SUMMARY:JUNIORS GET MOVING JOURNEY
DESCRIPTION:JUNIORS GET MOVING JOURNEY\nDECEMBER 3 @ 1:00 PM – 4:00 PM\nEnergize your understanding of the Earth’s energy and how we use\, misuse\, and can protect this essential resource in our daily lives. \n$15 per scout
URL:https://bornbuffalo.com/event/juniors-get-moving-journey-2/
LOCATION:Tifft Nature Preserve\, 1200 Fuhrmann Boulevard\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Family,Outdoor,Workshop
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/10/Tift_NP.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231109T193000
DTEND;TZID=America/New_York:20231109T213000
DTSTAMP:20260409T155910
CREATED:20230928T170906Z
LAST-MODIFIED:20230928T172321Z
UID:3844-1699558200-1699565400@bornbuffalo.com
SUMMARY:All My Sons
DESCRIPTION:All My Sons\nby Arthur Miller \nNovember 9 – December 10 \nDirected by Scott Behrend\nStarring Sean Cullen*\, Lissette DeJesus\, Sara Kow-Falcone\, Bob Grabowski\, Greg Howze\, Johnny Rowe\, Nick Stevens\, Maria Ta and Lisa Vitrano \nRun time: 2 hours 15 minutes including an intermission. \nConsidered one of the true landmark plays of the 20th century\, All My Sons is set two years after the end of World War II. Successful businessman Joe Keller reckons with things he did to survive  during the conflict\, whilst he and his family come to terms with the loss of a son. The play has stood the test of time\, lauded as a state of the nation play on its premiere\, and becoming a dangerously relevant allegory today. All My Sons will also star\, stage and screen actor (and Buffalo native)\, Buffalo’s Own – Sean Cullen!
URL:https://bornbuffalo.com/event/all-my-sons-2/
LOCATION:Road Less Traveled Theater\, 465 Main Street\, Buffalo\, NY\, 14205\, United States
CATEGORIES:Buffalo Event,Theater
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/All-My-Sons_new-website.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231003T160000
DTEND;TZID=America/New_York:20231003T190000
DTSTAMP:20260409T155910
CREATED:20230919T194607Z
LAST-MODIFIED:20230921T123058Z
UID:3481-1696348800-1696359600@bornbuffalo.com
SUMMARY:Photography Days!
DESCRIPTION:Photography Days!\nTake your posed photography at the Botanical Gardens for a discounted rate! \n4-7pm\n$20 per person (ages 3 and up)\nFREE for Members and children under 2\nGuest Passes not valid for Photography Days\nScroll below to reserve! \nMake your reservation today! Bring along your favorite photographer and join us for Photography Days to get the most out of your photo experience at the Botanical Gardens! We are opening up the Botanical Gardens for the public to take family photos\, engagement shoots\, senior portraits\, maternity photos\, baby photos or photos of any special occasion at a reduced rate.  \nOur Photography Policy (below) will apply during your reservation. Please keep in mind that Photography Days provide a shared space and you must be respectful of other guests.\nKEEP IN MIND! As the sun begins to set in the fall and winter\, the Botanical Gardens conservatory will also lose daylight as we are an open glass greenhouse. We will be providing our house lights to create a lovely experience during sunset\, but please keep this in mind as both a photographer or model as you may need to utilize different camera settings.  \nIf you would like to take posed photography outside of these days and times\, a Photography rental reservation is required. To inquire\, please contact events@buffalogardens.com. \nPhotography Policy:\nPets are not permitted.\nFurniture and large props are not permitted.\nWe do not allow drone photography inside.\nThe Botanical Gardens’ plants\, arrangements\, exhibits\, benches\, chairs\, tables\, signage etc. are not to be moved\, walked on\, or disturbed in any way. Any destruction will be at the cost of the guest.\nIf your party is late for your reservation\, you will be held to the remaining time of your reservation or you can reschedule for a full session.\nNo alcoholic beverages are allowed in the facility. We reserve the right to ask anyone who appears to be intoxicated to leave without a refund.\nSome exhibits or special events may be taking place on the day of your reservation; therefore\, some rooms may be unavailable or altered.
URL:https://bornbuffalo.com/event/photography-days/
LOCATION:Botanical Gardens\, 2655 South Park Avenue\, Buffalo\, NY\, 14218-1526\, United States
CATEGORIES:Art Event,Buffalo Event,Family,Workshop
ATTACH;FMTTYPE=image/webp:https://bornbuffalo.com/wp-content/uploads/2023/09/PhotographyDaysTV.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231203T190000
DTEND;TZID=America/New_York:20231203T190000
DTSTAMP:20260409T155910
CREATED:20230921T113005Z
LAST-MODIFIED:20230921T113005Z
UID:3593-1701630000-1701630000@bornbuffalo.com
SUMMARY:Sabres vs. Predators
DESCRIPTION:December 03\, 2023\nSabres vs. Predators \nFor more information go to https://www.nhl.com/sabres
URL:https://bornbuffalo.com/event/sabres-vs-predators/
LOCATION:KeyBank Center\, 1 Seymour H Knox III Plaza\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Family,Sports
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END:VCALENDAR