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DTSTART;TZID=America/New_York:20231010T190000
DTEND;TZID=America/New_York:20231010T190000
DTSTAMP:20260403T132205
CREATED:20230914T171149Z
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SUMMARY:THE LEMON TWIGS W/ JOANNA STERNBERG
DESCRIPTION:The Lemon Twigs w/ Joanna Sternberg make their Buffalo Iron Works debut on Tuesday October 10th\, 2023! \nThe Lemon Twigs \nOn Everything Harmony\, the fourth full-length studio release from New York’s The Lemon Twigs\, the prodigiously talented brothers Brian and Michael D’Addario offer 13 original servings of beauty that showcase an emotional depth and musical sophistication far beyond their years as a band\, let alone as young men. While they eagerly devour musical influences from everything and everywhere\, they have somehow arrived at a cohesive and dynamic sound that speaks to our troubled times. \nHaving bounded onto the music scene with their precocious 2016 debut Do Hollywood\, they threw caution to the wind two years later on their followup Goto School. By the time of their third album\, Songs for the General Public (2020) The Lemon Twigs had begun to pull from a wide range of multigenerational inspirations\, expertly darting from twee chamber pop balladry to full on glam punk\, mixing plaintive singer-songwriter confessionals with an almost Syd Barrett sense of outré pop.In an interview from the time\, they expressed an interest in creating “something really beautiful sounding” based on vocal harmonies and developing their combined melodic sensibilities into a setting where “the sounds were as important as the songs” themselves. \nOn Everything Harmony\, the brothers have fully realized that vision\, with a unified “Lemon Twigs sound” that successfully blends their distinct personalities while giving voice to their diverse and eclectic influences. Opening the album with the unassuming acoustic folk of plaintive “When Winter Comes Around\,” which echoes the sophisticated grandeur of classic Simon & Garfunkel recordings\, they immediately switch things up to the sunny classic pop motif of “In My Head.” From that point on Everything Harmony makes it clear that the Lemon Twigs can’t be pinned down. \nHaving recently worked with friends like Natalie Mering\, with whom they appeared on the latest Weyes Blood album\, they also collaborated with classic rock hero Todd Rundgren on his most recent album\, Space Force. Rundgren\, himself no stranger to eclecticism\, says he can relate to their time-tripping approach to contemporary pop. \n“They started when they were five and six years old\, doing TV and Broadway and things like that\,” says Rundgren. “So\, they have built-in appreciation for music that is of a couple of generations before theirs. I think they were bored by the music of their own generation\, and since you can’t fast forward to the music of the future\, you just start going backwards to music that was made before you were born. I can empathize with that impulse\, because I did that too\, back in the seventies.” \nReleased as the album teaser track\, “Corner of My Eye” channels an Art Garfunkel-like vocal melody over a moody\, vibraphone-tinged backing track suggesting the chamber pop of Brian Wilson. \nEverything Harmony was mostly written and recorded between 2020 and 2021\, when tracking for the album began at a “very chaotic” rehearsal studio in Manhattan. \n“It was one of the noisiest places I’ve ever been\,” says Brian. “We did takes of acoustic guitar in between metal bands rehearsing next door and fire engines roaring down 8th Avenue. After months of sessions there\, where we recorded the basic tracks to ‘Corner Of My Eye’\, ‘In My Head\,’ ‘I Don’t Belong To Me\,’ ‘WhatHappens To A Heart\,’ ‘Ghost Run Free\,’ and ‘New To Me\,’ we decided enough was enough and we looked into studios that had acoustic echo chambers after hearingEast West’s chambers during the recording of Weyes Blood’s latest record.” \nThey finally got out of town\, but instead of ‘doing Hollywood’ again\, they took the tapes to San Francisco’s Hyde Street Studios where they added the album’s omnipresent vibraphone textures\, harpsichord\, French horn\, strings\, and many layers of vocal harmonies. To finish up\, they flew home to their brand new studio in Brooklyn to finish mixing and mastering with the help of Paul Millar of Bug Sound. \nBrian D’Addario notes the influence of two late lamented artists in particular this time; Moondog\, and Arthur Russell whose album Iowa Dream encouraged them to lean into their own melodic tendencies and keep the arrangements delicate. \n“Their arrangements entered my head when we were arranging the strings on the album\,”says Brian\, “and we worked for a long time on our vocal blend. On previous records\, whoever wrote the song might do most\, if not all\, of the harmonies on their track but not so much on this one. Our blend is a strength that we tried to exploit as much as possible.” \nWhile they had no grand concept for EverythingHarmony\, both the D’Addarios felt a “palpable mood of defeat” prevailed while writing and recording it. “New To Me” was inspired by their shared experience with loved ones suffering from Alzheimer’s\, “What You Were Doing” is dressed in the tortured jangle of vintage Big Star\, while “Born To Be Lonely\,” written after watching John Cassavetes’ Opening Night\, deals with what Brian calls “the fragility that often comes with age.” \n“The album cycles through moments of depression and isolation on songs like ‘WhatHappens To A Heart\,’ or ‘Born To Be Lonely’ to episodes of dizzying euphoria in‘Ghost Run Free’ or the title track. There’s very little middle ground. On‘What Happens to A Heart’ we were going for a 70’s Spector vibe\, along the lines of Leonard Cohen’s Death Of A Ladies Man. We tracked it with me on piano\, Daryl Johns on electric bass and Michael and Andres Valbuena both playing drums. I overdubbed a fretless bass. Two pianos\, two organs\, harpsichord\, and celeste. The basic track was done in New York\, and strings and French horn recorded in San Francisco. We got the Friction Quartet to overdub themselves about 8 times to get a more symphonic sound. We also recorded about 8 acoustics and bounced them down to two tracks; we did the same with the electric guitars.” \nEverything Harmony is a unified song cycle born of shared blood and common purpose. With two musical heads being better than one\, there’s no shortage of ideas to draw on. Their only impediments are time and the challenge of keeping up with their own prolific musical inspiration. \n“We share an intuition and tend to be influenced by one another\,” says Brian\, “so the lyrical ideas on this record tend to complement each other. Writing has never been the issue for us. It’s completing\, editing and compiling that takes the time. We’re trapped in a web of songs!” \nBuffalo Iron Works \n49 Illinois St Buffalo\, NY 14203 \nTickets: $20 ADV/$25 DOS \nDoors: 7:00pm \nShow: 8:00pm \nAges: 18+
URL:https://bornbuffalo.com/event/the-lemon-twigs-w-joanna-sternberg/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/The-Lemon-Twigs.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231012T190000
DTEND;TZID=America/New_York:20231012T190000
DTSTAMP:20260403T132205
CREATED:20230914T171439Z
LAST-MODIFIED:20231005T191804Z
UID:3019-1697137200-1697137200@bornbuffalo.com
SUMMARY:SQUEAKY FEET W/ MAUFREY
DESCRIPTION:Squeaky Feet with Maufrey perform live at Buffalo Iron Works on Thursday October 12th\, 2023! \nSqueaky Feet \nSqueaky Feet is an electrifying band guided by the infinite potential of musical improvisation.  The sonic diversity attracts listeners with all types of musical tastes.  Whether it’s dance\, trance\, jazz-funk\, progressive rock\, or metal\, Squeaky Feet delivers something for everyone. The band specializes in cerebral and stimulating compositions\, accompanied by relentlessly intoxicating grooves. \nSqueaky Feet was conceived within the walls of Berklee College of Music. Its members relocated to Denver in 2018\, and their hunger for greatness manifested into what the band is today. Comprised of Colin Shore (guitar/vocals)\, Greg King (guitar)\, Jimmy Finnegan (bass/vocals)\, Brian Keller (keyboards/sax/flute/vocals)\, and Kevin D’Angelo (drums)\, Squeaky Feet is poised for success. \nSince the beginning\, things have happened fast for Squeaky Feet. In 2022 alone\, the band has shared the stage with acts such as Dopapod\, Aqueous\, Neighbor\, and Spafford. During this time\, they’ve also completed three national tours. \nThe next chapter for Squeaky Feet is an exciting one. They’re finishing the year by heading into the studio to record their first album. Keep your eyes peeled and follow them on all their musical expeditions. \nBuffalo Iron Works \n49 Illinois St Buffalo\, NY 14203 \nTickets: $12 ADV/$15 DOS \nDoors: 7:00pm \nShow: 8:00pm \nAges: 18+
URL:https://bornbuffalo.com/event/squeaky-feet-w-maufrey/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Squeaky-Feet.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231013T190000
DTEND;TZID=America/New_York:20231013T190000
DTSTAMP:20260403T132205
CREATED:20230913T164626Z
LAST-MODIFIED:20231005T191821Z
UID:2889-1697223600-1697223600@bornbuffalo.com
SUMMARY:THE TEA PARTY NIGHT 1
DESCRIPTION:Funtime Presents\nThe Tea Party\nwith Human Kebab\nNight 1\nAges 12+\, Minors under 16 must be accompanied by an adult\nGovernment Issued ID Required
URL:https://bornbuffalo.com/event/the-tea-party-night-1/
LOCATION:Town Ballroom\, 681 Main St.\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/The_29081689352572.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231013T190000
DTEND;TZID=America/New_York:20231013T190000
DTSTAMP:20260403T132205
CREATED:20230915T140910Z
LAST-MODIFIED:20231005T191837Z
UID:3056-1697223600-1697223600@bornbuffalo.com
SUMMARY:INTREPID TRAVELERS – ALBUM RELEASE SHOW W/ SPECIAL GUESTS ROY G BIV & CYPHER
DESCRIPTION:Intrepid Travelers – Album Release Show w/ Special Guests Roy G Biv & Cypher takes place at Buffalo Iron Works on Friday October 13th\, 2023! \nIntrepid Travelers \nFounded on friendship\, fun\, and a sense of freedom\, Intrepid Travelers is a musical quartet from Buffalo\, NY that defines itself through boundless improvisation and eclectic evolution. Treating each live show as a journey with the audience rather than a performance\, Intrepid Travelers pride themselves on a form of focused\, collective expression that showcases a medium where cerebral musicianship meets heartfelt\, soulful songwriting. \n“Improvisation does indeed play a role in Intrepid Travelers’ sound\, but so too does strong\, sturdy and well-conceived songwriting\, something in ample evidence on the “Rainbow Monkey?” EP” \n– Jeff Miers – The Buffalo News \n“‘Intrepid’ describes them well: they are fearless and resolute and own their musical style\, which is melodious and placid\, while improvisational rhythm\, solid riffs\, keys\, and jamming keep it elevated. Fun\, fantastical lyrics complete the feel of their live performance\, demonstrative of their crafting abilities. I look forward to further exploration of Intrepid Travelers.” \n– Mary Mistretta – UpstateLIVE \nBuffalo Iron Works \n49 Illinois St Buffalo\, NY 14203 \nTickets: $12 ADV/$15 DOS \nDoors: 7:00pm \nShow: 8:00pm \nAges: 18+
URL:https://bornbuffalo.com/event/intrepid-travelers-album-release-show-w-special-guests-roy-g-biv-cypher/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Intrepid-Travelers.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231013T200000
DTEND;TZID=America/New_York:20231013T200000
DTSTAMP:20260403T132205
CREATED:20231006T122047Z
LAST-MODIFIED:20231006T122111Z
UID:4295-1697227200-1697227200@bornbuffalo.com
SUMMARY:TROYBOI: SAY LESS TOUR
DESCRIPTION:TROYBOI: SAY LESS TOUR\nw/ Mr. Carmack\, Charles Nimbus\nlocal support: Fruitbat \nFriday October 13\, 2023\nBuffalo Riverworks 8pm \nOn sale 6/9 @ 10am: \nGET TICKETS!\nTroyboi\ntroyboimusic.com\ninstagram.com/troyboi\nsoundcloud.com/troyBoi\ntwitter.com/troyboimusic\nyoutube.com/@TroyBoiOfficial \nT-R-O-Y-B-O-I. These letters are chanted by the masses at his shows\, but the question is who is the artist incorporating stunning visuals\, live instruments\, talented dancers\, and those jaw dropping aerialists? \nTroy Henry\, the elusive producer who has classified himself as a music manipulation specialist got his start making his beats standing up in his London studio apartment kitchen with his MacBook and a midi keyboard. Today\, the TroyBoi Experience is indeed a musical journey of hard-hitting beats\, lights\, visuals\, and the unexpected. While his musical style can be broadly classified as trap\, it’s extraordinarily unique\, versatile\, and fuses various textures from multiple genres. He is of Nigerian\, Indian\, Chinese\, and Portuguese descent\, and credits this (along with growing up in London\, with its own blend of cultures and genres) for the diversity that is reflected in his music. Beyond his career releases which include his debut album Left Is Right (2017) and series of V!BEZ EPs in 2018 and 19\, his productions have caught the ear of major music stars. \nHis 2018 remix of Billie Eilish’s “MyBoi-TroyBoi Remix” has garnered almost 79 million Spotify streams and in 2019\, Rihanna featured two of his songs “Do You?” and “Malokara” at her SavagexFenty show\, seen globally via Amazon Prime during New York Fashion Week. TroyBoi’s sound has evolved from when he began his musical journey to now headlining at some of the world’s largest festival stages such as Coachella\, Lollapalooza (Chicago & Paris)\, Life Is Beautiful\, HARD\, EDC China and Electric Zoo\, Sunset Music Festival\, just to name a few as well as holding down a new residency at Elia Beach Club in Las Vegas. While the music industry was at a stand still due to the pandemic\, Troy was working on new music/collaborations to come back stronger and more innovative as ever once live music was back. And Boi did he. In 2020 released\, his highly anticipated V!BEZ Vol.4 featuring top hits like\, “Do You” and “Bellz.” \nOne of his first festival appearances post pandemic\, was the long-awaited return of Outside Lands Music Festival in San Francisco\, where Troy had one of the largest crowds in the history of the festival. In early 2021\, he released more hits like \, “Mad Ting\, Buss It\, and of course “RedEye” with Justin Bieber which currently has over 48 million streams on Spotify. \nIn 2022\, Troy was hard at work on a brand new EP and headlining more festivals and shows worldwide. Troy has a true love and inspiration for Latin Music and he has plans to pay homage to that in his new EP titled “INFLUENDO.” He was inspired to complete this project due his reflection of his admiration for the culture during his travels throughout various countries. \nw/ special guest \nMr. Carmack\nmrcarmack.com\ninstagram.com/mr_carmack\nsoundcloud.com/mr_carmack \n“Make music like no one’s listening” is the motto of Aaron Carmack\, and appropriately so. His story is a three-part series\, divided into factions of past\, present\, and future. Every element of the past\, as Aaron Carmack would explain\, has had an effect on who he is today as both a writer/producer and DJ. Being born and raised in San Francisco\, attending and dropping out of college in Long Beach\, CA\, moving to Oahu for three years and living off income from monthly releases on Bandcamp – Carmack’s music is an expression and perpetual reflection of all of it. \nConstantly translating personal experience into his craft\, Carmack finds inspiration from a range of sources\, from his friends and fellow musicians in production cliques\, Team Supreme and Soulection\, to his travels and numerous sold out tours of five continents over the past two years\, sharing stages with folks like Hudson Mohawke\, Just Blaze\, Cashmere Cat\, and Diplo. These influences\, combined with a hunger for discovering the newest\, most cutting-edge sounds on sites like Soundcloud\, are some of the ingredients to the now-Los Angeles-based producer’s distinct creative process. \nLike a hinge to the doorway between dance music and hip hop\, Carmack’s musical output increasingly occupies a void frontier between the two genres\, identified by his contemporaries\, fans\, and himself purely as “Carmack”. With a devotion to the studio and a grinding work ethic\, the inventive producer aims to release a prolific amount of music in coming months\, all while performing as often as possible. Stay tuned. \nMORE TBA \nProduced by\nMNM Presents\nmnmpresents.com
URL:https://bornbuffalo.com/event/troyboi-say-less-tour/
LOCATION:Bufffalo Riverworks\, 359 Ganson St.\, Buffalo\, 14203\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/webp:https://bornbuffalo.com/wp-content/uploads/2023/10/troyboi-buffalo-square-1.webp
ORGANIZER;CN="MNM Presents":MAILTO:mike@mnmpresents
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231014T190000
DTEND;TZID=America/New_York:20231014T190000
DTSTAMP:20260403T132205
CREATED:20230913T190003Z
LAST-MODIFIED:20231005T191849Z
UID:2936-1697310000-1697310000@bornbuffalo.com
SUMMARY:THE TEA PARTY NIGHT 2
DESCRIPTION:Funtime Presents\nThe Tea Party\nWith Human Kebab\nNight 2\nAges 12+\, Minors under 16 must be accompanied by an adult\nGovernment Issued ID Required
URL:https://bornbuffalo.com/event/the-tea-party-night-2/
LOCATION:Town Ballroom\, 681 Main St.\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/The_29081689352572.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231014T190000
DTEND;TZID=America/New_York:20231014T190000
DTSTAMP:20260403T132205
CREATED:20231006T122254Z
LAST-MODIFIED:20231006T122254Z
UID:4298-1697310000-1697310000@bornbuffalo.com
SUMMARY:THUNDERCAT: IN YO GIRLS CITY TOUR
DESCRIPTION:THUNDERCAT: IN YO GIRLS CITY TOUR\nSaturday October 14\nBuffalo Riverworks\nDoors / Show 7pm 16+ \ntwitter.com/Thundercat\ntiktok.com/@thundercat\ninstagram.com/thundercatmusic\nyoutube.com/@thundercatmusic \nThundercat (Stephen Bruner) released his most recent album\, It Is What It Is\, in the spring of 2020. The record won Best Progressive R&B Album at the 63rd GRAMMY Awards and features musical contributions from Ty Dolla $ign\, Childish Gambino\, Lil B\, Kamasi Washington\, Steve Lacy\, Steve Arrington\, BADBADNOTGOOD\, Louis Cole\, Pedro Martins and Zack Fox. Thundercat produced the record with his longtime partner Flying Lotus\, who was GRAMMY-nominated in the “Producer of the Year” category for his work on the album. \nIt Is What It Is follows Bruner’s game-changing third album Drunk (2017)\, which completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. “This album is about love\, loss\, life and the ups and downs that come with that\,” Bruner says about It Is What It Is. Concurrently\, the tragic passing of his friend Mac Miller in September 2018 had a profound effect on Thundercat and the making of It Is What It Is. “Losing Mac was extremely difficult\,” he explains. “I had to take that pain in and learn from it and grow from it. It sobered me up… it shook the ground for all of us in the artist community.” Thundercat poignantly describes the album as “a bit tongue-in-cheek\, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.” Clearly\, however\, fans understood It Is What It Is\, an unexpectedly apt title for when it arrived. In addition to its Grammy win\, the album and its songs landed on dozens of year-end lists and roundups at Pitchfork\, Stereogum\, NPR\, Vulture\, and Allmusic to name a few. \nPrevious releases include The Golden Age of Apocalypse (2011)\, Apocalypse (2013)\, followed by EP The Beyond / Where The Giants Roam featuring the modern classic “Them Changes.” He was later “at the creative epicenter” (per Rolling Stone) of the 21st century’s most influential hip-hop album Kendrick Lamar’s To Pimp A Butterfly\, where he won a Grammy for his collaboration on the track “These Walls” before releasing his third album Drunk in 2017. \nOutside of his solo work\, Thundercat keeps busy across numerous genres. In 2021\, his dreamy vocals and masterful bass playing feature on “Black Gold\,” the theme song for the Netflix original anime Yasuke\, soundtracked by Flying Lotus. In addition\, Thundercat recently collaborated on releases from Silk Sonic (Bruno Mars & Anderson Paak)\, HAIM\, H.E.R.\, and Kaytranada\, as well as contributing an original song for the final season and soundtrack from HBO’s ‘Insecure.’ \nThundercat’s latest work has seen him branching outside of music\, making his television debut with a recurring role as The Modifier in the Star Wars series ‘The Book of Boba Fett\,’ and appearing as the face of recent fashion/brand campaigns for Kerwin Frost and Kenny Beats\, as well as attending Paris Fashion Week as a guest of Spanish luxury designer LOEWE. \nThe name Thundercat refers to the cartoon he’s loved since childhood and an extension of his wide-eyed\, vibrant\, often superhuman approach to his craft. In 2020 things came full circle when Bruner voiced a character (and penned a song) named “Grune the Destroyer” in Cartoon Network’s Thundercats Roar animated series. \nProduced by\nMNM Presents
URL:https://bornbuffalo.com/event/thundercat-in-yo-girls-city-tour/
LOCATION:Bufffalo Riverworks\, 359 Ganson St.\, Buffalo\, 14203\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/webp:https://bornbuffalo.com/wp-content/uploads/2023/10/THUNDERCAT-BUFFALO-1080x1080-riverworks.webp
ORGANIZER;CN="MNM Presents":MAILTO:mike@mnmpresents
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231014T193000
DTEND;TZID=America/New_York:20231014T193000
DTSTAMP:20260403T132205
CREATED:20230915T144137Z
LAST-MODIFIED:20230915T144137Z
UID:3067-1697311800-1697311800@bornbuffalo.com
SUMMARY:The Magic of Motown
DESCRIPTION:The show’s pitch perfect harmonies\, dynamic choreography\, & costuming perfectly capture the sights & sound of Motown. 15 power-house vocalists backed by a band featuring music from: The Temptations\, The Jackson Five\, Diana Ross & The Supremes\, Marvin Gaye\, Aretha Franklin\, Smokey Robinson and more! \nExperience The Magic of Motown! This high energy tribute to the legends of Motown will transport you back in time where you’ll visit the very best of “Hitsville\, USA!” This performance features a cast of 15 power-house vocalists backed by a six-piece band who embody artists such as The Temptations\, The Four Tops\, Diana Ross & The Supremes\, Marvin Gaye\, Aretha Franklin\, Smokey Robinson and more! The show’s pitch perfect harmonies\, dynamic choreography\, and gorgeous costuming perfectly capture the sights and sound of Motown that has become a timeless treasure. \nFeaturing hit after hit\, the soundtrack for the evening includes “Aint’ No Mountain High Enough\,” “My Girl\,” “Heatwave\,” “Midnight Train to Georgia\,” “Respect\,” and more! Whether you choose to sway in your seat or spend the night up on your feet\, this will be one great night of music you won’t want to miss! This music has transcended generations and will continue to do so. There is something magical about Motown ! Get ready ‘cause here we come!
URL:https://bornbuffalo.com/event/the-magic-of-motown/
LOCATION:Shea’s Buffalo Theatre\, 646 Main Street\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/xMotown.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231014T193000
DTEND;TZID=America/New_York:20231014T193000
DTSTAMP:20260403T132205
CREATED:20231005T105818Z
LAST-MODIFIED:20250424T182511Z
UID:4037-1697311800-1697311800@bornbuffalo.com
SUMMARY:Aida Cuevas “The Queen of Mariachi”
DESCRIPTION:Aida Cuevas “The Queen of Mariachi” \nMexico’s master of the mariachi art song\, Aida Cuevas‘ unique voice and style have entertained international audiences for over 45 years. Featuring iconic Latin hits and ranchera classics including Te sigo amando\, Asi Fue\, El Pastor\, and La Bikina. \nOur annual Hispanic Heritage Celebration features a day of events at Kleinhans in partnership with the Hispanic Heritage Council. Click here for more information! \nProgram\nFernanda Lastra\, conductor\nAída Cuevas\, vocals \nJORGE AVENDAÑO Lamento\nGONZALO CURIEL Vereda Tropical\nJUAN GABRIEL Obertura / Te Sigo Amando\nJUAN GABRIEL Si Quieres\nJUAN GABRIEL Te lo pido por favor\nMORRIS ALBERT Feelings\nMARÍA GREEVER Cuando vuelva a tu lado\nRUBÉN FUENTES La Bikina \n–INTERMISSION– \nMARCELO BONILLA Pa’ que sientas lo que siento\nJUAN GABRIEL Ya lo sé que tú te vas\nJOSÉ ALFREDO JIMÉNEZ Pa’ todo el año\nCONSUELO VELÁZQUEZ Bésame mucho\nCUATES CASTILLA El Pastor\nJUAN GABRIEL Así Fue\nJOSÉ ESPINOZA México en la piel\nTOMÁS MÉNDEZ Cucucrrucucú Paloma \nAbout Aída Cuevas\nAída Cuevas\, known as “The Queen of Mariachi Music\,” celebrates 47 years singing traditional Mexican and Latin American music. Cuevas is the first and only female singer in the traditional mariachi genre to ever win a Grammy and a Latin Grammy Award\, and now celebrates a long-lasting career which includes eleven Grammy nominations in the “Best Mariachi/Ranchero Album” category. Much like Ella Fitzgerald’s classic releases for Verve\, her “songbook” albums have played a central role in defining Mexican popular music. Over her career\, she has recorded an impressive 41 full-length albums that have sold internationally in excess of 11 million copies. \nAn international icon of Mexican music since she was a teenager\, Aída Cuevas is an impassioned performer with a striking voice that evokes life’s deepest sorrows\, greatest joys\, and most profound longings. An artist known widely as the “Queen of Ranchera Music\,” and “La Voz de México” (the Voice of Mexico) in her native country\, she celebrates her 47th year as a performer with this special tour\, Yo Creo Que Es Tiempo (“I Think It’s Time”)\, named for her 1983 hit written by her late mentor and producer\, pop icon Juan Gabriel. \nHer two latest albums\, Antología de la Musica Ranchera Vol. 1 and Vol. 2 (2020 & 2021)\, feature her interpretations of the timeless songs made famous by the iconic 1930s ranchera singer Lucha Reyes\, and both albums earned Grammy nominations again for the “Best Mariachi/Ranchero Album” category.
URL:https://bornbuffalo.com/event/aida-cuevas-the-queen-of-mariachi/
LOCATION:Kleinhans Music Hall\, 3 Symphony Circle\, Buffalo\, NY\, 14201\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/webp:https://bornbuffalo.com/wp-content/uploads/2023/10/AidaCuevas.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231015T143000
DTEND;TZID=America/New_York:20231015T143000
DTSTAMP:20260403T132205
CREATED:20231005T110047Z
LAST-MODIFIED:20231005T110054Z
UID:4040-1697380200-1697380200@bornbuffalo.com
SUMMARY:Symphonic Spooktacular
DESCRIPTION:Symphonic Spooktacular\nAn oogie\, woogie\, super spooky performance of the trickiest\, treatiest Halloween hits. Wear your costume and join the parade across the Kleinhans stage! \nProgram\nFernanda Lastra\, conductor \nKEVIN DAY  Lightspeed\nWAGNER  Prelude to Act III of Lohengrin\nDANNY ELFMAN/arr. John Wasson  Music from Spider-Man\nKRISTEN ANDERSON & ROBERT LOPEZ/arr. Bob Krogstad  Music from Frozen\nLYADOV  Baba-Yaga\, Op. 56\nDUKAS  The Sorcerer’s Apprentice\nJOHN WILLIAMS  Harry’s Wondrous World from Harry Potter and the Sorcerer’s Stone\nGRIEG  In the Hall of the Mountain King from Peer Gynt Suite No. 1\nMICHAEL GIACCHINO  Suite from Coco\n–COSTUME PARADE–\nGOUNOD  Funeral March of a Marionette
URL:https://bornbuffalo.com/event/symphonic-spooktacular/
LOCATION:Kleinhans Music Hall\, 3 Symphony Circle\, Buffalo\, NY\, 14201\, United States
CATEGORIES:Buffalo Event,Family,Live Music
ATTACH;FMTTYPE=image/png:https://bornbuffalo.com/wp-content/uploads/2023/10/SymphonicSpooktacular.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231015T180000
DTEND;TZID=America/New_York:20231015T180000
DTSTAMP:20260403T132205
CREATED:20230913T190332Z
LAST-MODIFIED:20230914T114903Z
UID:2938-1697392800-1697392800@bornbuffalo.com
SUMMARY:THE WONDER YEARS: THE GREATEST GENERATION 10TH ANNIVERSARY TOUR
DESCRIPTION:After Dark Presents\nThe Wonder Years: The Greatest Generation 10th Anniversary Tour\nwith Anxious\, Sweet Pill\, Action/Adventure  \n16+ Admitted with ID / Under 16 Admitted with Guardian / No One Under 12 Admitted
URL:https://bornbuffalo.com/event/the-wonder-years-the-greatest-generation-10th-anniversary-tour/
LOCATION:Town Ballroom\, 681 Main St.\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/The_28471685959623.jpeg
ORGANIZER;CN="After Dark Presents":MAILTO:info@afterdarkpresents.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231015T190000
DTEND;TZID=America/New_York:20231015T190000
DTSTAMP:20260403T132205
CREATED:20230915T141238Z
LAST-MODIFIED:20230915T141238Z
UID:3059-1697396400-1697396400@bornbuffalo.com
SUMMARY:RED CLAY STRAYS W/ NOLAN TAYLOR
DESCRIPTION:Buffalo Iron Works & Back to Back Present: Red Clay Strays w/ Nolan Taylor – Sunday Oct 15th\, 2023! \nRed Clay Strays \nHailing from Mobile\, AL\, The Red Clay Strays are forging a new path with their spellbinding\, genre-bending\, brand of tunes. Inspired by the vibrant heyday of southern music\, while also ushering in a new era of rock-and-roll that is as distinctive as the men who form it. Brandon Coleman (lead vocals/guitar)\, Drew Nix (vocals/electric guitar/harmonica)\, Zach Rishel (electric guitar)\, Andrew Bishop (bass)\, and John Hall (drums)\, blend their unique individualities and influences to create a sound with a rare sincerity that isn’t often seen in today’s industry. After spending the past six years cutting their teeth in the Gulf Coast music scene while simultaneously running the roads discovering who they are and where they belong in the world\, The Red Clay Strays are taking the world by storm with their music\, one performance at a time. \nBuffalo Iron Works\n49 Illinois St Buffalo\, NY 14203 \nTickets: $15 ADV/$25 DOS\nDoors: 7:00pm\nShow: 8:00pm\nAges: 18+
URL:https://bornbuffalo.com/event/red-clay-strays-w-nolan-taylor/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Red-Clay-Strays.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231017T180000
DTEND;TZID=America/New_York:20231017T180000
DTSTAMP:20260403T132205
CREATED:20230913T190520Z
LAST-MODIFIED:20230914T114854Z
UID:2941-1697565600-1697565600@bornbuffalo.com
SUMMARY:WE CAME AS ROMANS: DARKBLOOM II TOUR 2023
DESCRIPTION:After Dark Presents\nWe Came As Romans\nDarkbloom II Tour 2023\nwith Special Guests\nEmmure\, Bodysnatcher\, Archetypes Collide \n16+ Admitted with ID / Under 16 Admitted with Guardian / No One Under 12 Admitted
URL:https://bornbuffalo.com/event/we-came-as-romans-darkbloom-ii-tour-2023/
LOCATION:Town Ballroom\, 681 Main St.\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/We_30051692612360.jpeg
ORGANIZER;CN="After Dark Presents":MAILTO:info@afterdarkpresents.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231017T190000
DTEND;TZID=America/New_York:20231017T190000
DTSTAMP:20260403T132205
CREATED:20231004T201345Z
LAST-MODIFIED:20231004T203311Z
UID:4015-1697569200-1697569200@bornbuffalo.com
SUMMARY:Lyle Lovett and Leo Kottke
DESCRIPTION:Kleinhans Music Hall and Soul of Buffalo present\nLyle Lovett and Leo Kottke\nIn Conversation and Song\nJohn Hiatt who was originally scheduled to perform with Lyle Lovett at Kleinhans Music Hall recently suffered injuries from falling during a hike.  Consequenty he had to cancel his fall tour dates and will not be able to appear with Mr. Lovett for their planned performance at Kleinhans Music Hall.  Fortunately\, he is expected to make a full recovery. \nGiven the difficult situation\, Leo Kottke\, a legend of roots music guitar and song in his own right\, has gracious accepted Mr. Lovett’s invitation to join him for this intimate acoustic performance at Kleinhans Music Hall on Tuesday\, October 10th\, 2023. \nAll existing tickets will be honored\, but patrons who wish for a refund are encouraged to contact the Box Office via email at boxoffice@bpo.org or via phone at 716-885-5000. \nABOUT THE ARTISTS\nLYLE LOVETT\nA singer\, composer\, and actor\, Lyle Lovett has broadened the definition of American music in a career that spans 14 albums. Coupled with his gift for storytelling\, the Texas-based musician fuses elements of country\, swing\, jazz\, folk\, gospel\, and blues in a convention-defying manner that breaks down barriers. \nWhether touring as a ‘Duo’ or with his ‘Acoustic Group’ or his ‘Large Band\,’ Lovett’s live performances show not only the breadth of this Texas legend’s deep talents\, but also the diversity of his influences\, making him one of the most compelling and captivating musicians in popular music. \nSince his self-titled debut in 1986\, Lyle Lovett has evolved into one of music’s most vibrant and iconic performers. Among his many accolades\, besides the four Grammy Awards\, he was given the Americana Music Association’s inaugural Trailblazer Award\, and was named Texas State Musician. \nHis works\, rich and eclectic\, are some of the most beloved of any artist working today. \nLEO KOTTKE\nAcoustic guitarist Leo Kottke was born in Athens\, Georgia\, but left town after a year and a half. Raised in 12 different states\, he absorbed a variety of musical influences as a child\, flirting with both violin and trombone\, before abandoning Stravinsky for the guitar at age 11. \nKottke has been awarded two Grammy nominations; a Doctorate in Music Performance by the Peck School of Music at the U of Wisconsin\, Milwaukee; and a Certificate of Significant Achievement in Not Playing the Trombone from the U of Texas at Brownsville with Texas Southmost College.
URL:https://bornbuffalo.com/event/lyle-lovett-and-leo-kottke/
LOCATION:Kleinhans Music Hall\, 3 Symphony Circle\, Buffalo\, NY\, 14201\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/10/Lovett-Kottke-sq-Website42.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231018T190000
DTEND;TZID=America/New_York:20231018T190000
DTSTAMP:20260403T132205
CREATED:20230915T161158Z
LAST-MODIFIED:20230915T161158Z
UID:3092-1697655600-1697655600@bornbuffalo.com
SUMMARY:BUFFALO NICHOLS
DESCRIPTION:Buffalo Nichols celebrates the release of his new album live at Buffalo Iron Works on Wednesday October 18th\, 2023! \nBuffalo Nichols \nOn his second album\, The Fatalist\, Carl “Buffalo” Nichols does things with the blues that might catch you off guard.There’s 808 programming\, chopped up Charley Patton samples\, washes of synth. There’s a consideration of the fullness of the sonic stage and the atmospherics of the music that can only come with a long engagement with electronic music. But this is no gimmicky hybrid or attempt to turn the blues into 21st century music by simply dressing it with skittering hi-hats. Nichols’ vision for the blues is of a form of music that’s intimately tied to every day life in 2023\, something that’s reflected not only in the choice of instrumentation\, but in the complexities of the songwriting and the gray areas his lyrics explore. This is music that comes straight from the present\, and as such\, it’s a reminder that the same shit that drove the first blues singers to pick up a guitar is still present behind the throbs of deep bass hits today. The Fatalist sounds unlike any blues record you’re likely to hear in 2023. \nOf course\, Nichols’ songwriting has always been firmly rooted in the present. He proved he could succeed on the music industry’s own blues terms on his self-titled 2021 debut\, whose songs\, Band camp Daily said\, “seem to flow from some great repository of emotion and insight.” The Fatalist finds him digging deeper in search of answers to ever-more-complicated questions around responsibility and self-definition\, his plainspoken lyrics both cutting and refreshing in their sincerity and refusal to accept pat solutions. Over a guitar line that blisters and pops with bright sunshine\, he holds forth on the simple everyday power of love in “Love is All\,” and when he shades his optimism with a clear-eyed view of “bad behavior in the canon of good men\,” as he sings\, his guitar line goes cloudy with the thought. He slowly walks around a broken relationship in “The Difference\,” trying to find the faults. It’s a decidedly modern breakup song\, one steeped in moral ambiguity. “I just don’t know the difference between love and sympathy\,”he sings\, before hoping his once-beloved “won’t forget the one who kept your ego fed.” \nStill\, Nichols rarely sounds like a blues singer. Like Leonard Cohen\, he dominates these songs with his voice. His low\, guttural baritone is high in the mix\, and he sounds coiled\, clenched tight. The slow drip of his songwriting lends TheFatalist an incredible amount of drama\, which the production—at times dark and dewy and claustrophobic\, at times zippy with light—further emphasizes. \nNichols produced the album himself at home\, having recently returned to Milwaukee following a few years in Austin.“Being back in Milwaukee reminded me of why I started making music in the first place. It got me away from the industry-town’ mentality\,” he says. “There’s definitely a certain work ethic that comes from being in a city likeMilwaukee. There are no clear paths to success and not many examples of ‘making it\,’ so people end up creating their own path and developing a broad skill set to sustain a career as an artist.” \nThat personal touch is evident in how considerately these songs have been framed. “In a lot of ways I was improvising\,” he says\, and he leaned on his years of experience as a DIY musician—and the songs themselves—to guide him. “Drum machines are a 50-year-old technology. If the blues hadn’t been hijacked and trapped in amber\, I think they naturally would’ve been incorporated.” The drum programming throughout feels like a natural rhythmic vehicle for these songs. “When you pick up a guitar\, the first thing you’re gonna play is the blues\,” he says. “And when you pick up an 808\, you’re gonna start doing trap beats.” \nThe album’s most ambitious song is Nichols’ dusky take on Blind Willie Johnson’s “You’re Gonna Need SomebodyOn Your Bond.” As he sings of salvation and relief\, Nichols creates a soundscape that teems with the joyous claustrophobia of classic gospel. Triggers of Charley Patton’s version connect the earliest blues recordings to the present\, both singers’ voices urgent in their message. “It’s important for contemporary musicians to play these old songs sometimes\,” Nichols says. “I always keep traditional songs in my set and on my records because I remember how important it was for me to hear somebody interpret a song in a way that made sense to me.” \nNichols further draws the past into the present in “The Fatalist Blues\,” a song that simmers with unanswered questions and quotes the classic blues song “Samson and Delilah.” “That was a question that stayed on my mind\,”Nichols says. “If you’re raised in a violent environment\, are you destined to become that\, or can you do something to change that?” The song finds Nichols testing the boundaries of will—“If I had my way I would fill my whole world with love\,” he sings\, and the implication is he’s not sure if he has his way or not. Even as that ambiguity gives the song a greater sense of dramatic tension\, uncertainty also carries within it the glimmer of hope\, and the imperative to try. \nThe stakes throughout this album are largely personal\, rather than social; Nichols is singing about his life in the first person\, and about his desire to forge his own individuality in a world and a music industry that make it nearly \nimpossible to do so. Ringing through “The Fatalist Blues”—and The Fatalist—is a simple question: Do I have any sayin how things are going to go? It’s the question behind so much of the physical and psychic pain in the blues\, and in a frustrating age that preaches self-empowerment and shames the disenfranchised\, it’s a stridently modern question\, too. By playing his music the way he wants to play it\, by refusing to give up his creative control or accept any one else’s definition of the blues or indeed his own life\, Carl Nichols has tried to forge an answer. Does he have any sayin how things are going to go? Let’s find out. \nBuffalo Iron Works \n49 Illinois St Buffalo\, NY 14203 \nTickets: $15 ADV/$20 DOS \nDoors: 7:00pm \nShow: 8:00pm \nAges: 18+
URL:https://bornbuffalo.com/event/buffalo-nichols/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Buffalo-Nichols.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231019T190000
DTEND;TZID=America/New_York:20231019T190000
DTSTAMP:20260403T132205
CREATED:20230915T161423Z
LAST-MODIFIED:20230915T161423Z
UID:3095-1697742000-1697742000@bornbuffalo.com
SUMMARY:MELVIN SEALS & JGB – BUFFALO IRON WORKS 10 YEAR ANNIVERSARY
DESCRIPTION:Please join us for Buffalo Iron Works 10 Year Anniversary! \nMelvin Seals & JGB return to Buffalo Iron Works on Thursday October 19th\, 2023! \nMelvin Seals & JGB \nMelvin Seals has been a powerful presence in the music industry for over 30 years with a long-established reputation as a performer\, recording artist and producer. Melvin is most revered for his powerful\, high-spirited\, Hammond B-3 organ\, and keyboards in the Jerry GarciaBand. Melvin spun his B-3 magic with the Jerry Garcia Band for 18 years and in doing so helped pioneer and define what has now become “Jam BandMusic”. From blues to funk to rock to jazz\, Melvin Seals serves up a tasty mix with a little R&B and gospel thrown in to spice things up. \nMelvin and JGB bring an intuitive\, expressive style\, soul\, spontaneity and remarkable chops to the table. John Kadlecik on lead guitar and vocal duties\, John-Paul McLean’s savory bass\, Jeremy Hoenig on the drums and\, of course\, a heapin’ helpin’ of the wizard’s magic on HammondB-3 Organ and keyboards. Their chemistry is the focus from which they create a spontaneous and high art where the sky is the limit musically. They offer an exciting\, often psychedelic musical journey that changes nightly and keeps the audience dancing and smiling (and some staring in amazement) for hours. \nAdding his rock-gospel-soul-rhythm and blues touch with his funky style of playing\, no wonder Jerry nicknamed him”Master of the Universe”. Melvin continues to treat music lovers to his unique brand of melodic flavor with JGB. Come see and hear for yourself! \nBuffalo Iron Works \n49 Illinois St Buffalo\, NY 14203 \nTickets: $38 ADV/$45 DOS \nDoors: 7:00pm \nShow: 8:00pm \nAges: 18+
URL:https://bornbuffalo.com/event/melvin-seals-jgb-buffalo-iron-works-10-year-anniversary/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231020T193000
DTEND;TZID=America/New_York:20231020T193000
DTSTAMP:20260403T132205
CREATED:20230919T112150Z
LAST-MODIFIED:20230919T112150Z
UID:3333-1697830200-1697830200@bornbuffalo.com
SUMMARY:Shania Twain Queen of Me Tour
DESCRIPTION:Shania Twain Queen of Me Tour \nSHANIA TWAIN ANNOUNCES SECOND LEG OF 2023 QUEEN OF ME GLOBAL TOUR DUE TO OVERWHELMING DEMAND \nWill visit KeyBank Center on October 20\, 2023 \nDecember 6\, 2022 (Buffalo\, NY) – Today\, five-time GRAMMY® Award-winning legend and the best-selling female artist in country music history Shania Twain announced the second leg of her 2023 Queen of Me Tour. Due to phenomenal demand following the wildly successful announcement of the first leg\, Shania is adding 19 new fall dates to her highly anticipated tour. The tour is in support of Shania’s forthcoming album Queen of Me\, out February 3\, 2023 – pre-order/pre-save HERE. \nProduced by Live Nation\, leg two kicks off on Thursday\, October 12th in San Antonio\, TX at AT&T Center with stops across North America in Nashville\, TN\, Toronto\, ON\, Buffalo\, NY\, Edmonton\, AB and more before wrapping up on Tuesday\, November 14 at Rogers Arena in Vancouver\, BC.  \nThe Queen of Me Tour marks one of Shania Twain’s biggest tours to date with over 70 dates taking place across North America and Europe next year. This is also her first tour in nearly five years\, following a highly successful residency run in Las Vegas. \nShania and Live Nation have announced that $1 of every ticket purchased to Shania’s “Queen Of Me” Tour will be donated to SKC. Established in 2010 by Shania Twain\, SKC provides services that promote positive change in children’s lives in times of crises and economic hardship. SKC provides children with one-on-one consultations\, academic support and group activities\, as well as nutritious snacks and meal programs where needed\, all while in the safe\, confidence-building environment that is the Shania Kids Can Clubhouse. These children are learning the skills to cope with and overcome family hardships which\, in turn\, improves their ability to succeed in school. For more information about Shania Kids Can\, please visit: www.shaniakidscan.com \nThis evening\, Shania Twain will also receive the Music Icon award at the 2022 People’s Choice Awards. As the top-selling female country pop artist of all time\, Twain is being honored for her record-breaking career which has spanned over four decades. With such enormous hits like “That Don’t Impress Me Much” and “Man! I Feel Like a Woman!\,” Twain has expertly bridged the gap between country and pop music\, leaving an everlasting impact on the music industry and pop culture. The 2022 People’s Choice Awards will air on NBC and E! at 9:00pm ET/6:00pm PT from the Barker Hangar in Santa Monica\, CA. \nIn addition to receiving the award\, Twain will take the stage to perform a medley of her greatest hits as well as her new song “Waking Up Dreaming” off her forthcoming sixth album ‘Queen of Me\,’ set for release on February 3\, 2023 via Republic Records. It will mark her first return to the PCAs stage since 2005\, when she took home the award for Favorite Country Female Singer. \nSHANIA TWAIN ‘QUEEN OF ME’ 2023 TOUR LEG TWO – JUST ANNOUNCED \n10/12   San Antonio\, TX          AT&T Center \n10/13   Fort Worth\, TX            Dickies Arena \n10/16   Knoxville\, TN               Thompson Boling Arena \n10/18   Raleigh\, NC                PNC Arena \n10/20   Buffalo\, NY                 KeyBank Center \n10/22   Toronto\, ON                Scotiabank Arena \n10/24   Quebec City\, QC        Videotron Centre \n10/25   Montreal\, QC              Bell Centre \n10/27   Columbus\, OH            Schottenstein Center \n10/28   Louisville\, KY              KFC Yum! Center \n10/31   Milwaukee\, WI            Fiserv Forum \n11/02   Omaha\, NE                 CHI Health Center \n11/03   Des Moines\, IA           Wells Fargo Arena \n11/05   Fargo\, ND                   FARGODOME \n11/07   Winnipeg\, MB             Canada Life Centre \n11/09   Saskatoon\, SK            Sasktel Centre \n11/11   Calgary\, AB                Scotiabank Saddledome \n11/12   Edmonton\, AB            Rogers Place \n11/14   Vancouver\, BC           Rogers Arena \nMORE ABOUT SHANIA TWAIN \nLast month\, she made a grand return with her latest single “Waking Up Dreaming.” Right out of the gate\, Vulture hailed it as “a motivational\, synth-laden pop-rocker with few of the country touches you’d expect from Twain\, all of the glamour.” Rolling Stone raved\, “It gradually builds to a Shania-worthy maximalist sound\, a dance party of gleaming guitars and unfettered bliss.” People affirmed\, “Shania Twain is baring it all with her new era of music\,” and The Tennessean proclaimed\, “Country icon Shania Twain’s season in the sun continues with the release of ‘Waking Up Dreaming’.” Perhaps The TODAY Show summed it up best as “an absolute bop.” \n“Waking Up Dreaming” marked her first release in five years since 2017’s critically acclaimed\, Now\, which bowed at #1 on the Billboard Top 200 and #1 on the Top Country Albums Chart upon arrival. It also arrives on the heels of her blockbuster career-spanning documentary Not Just A Girl—streaming on Netflix now. It was notably produced by Mercury Studios and directed by Joss Crowley. To accompany the film\, she also presented the compilation album Not Just A Girl (The Highlights) available HERE.  And in other news this once-in-a-generation Renaissance Woman joins the star-studded cast of Beauty and the Beast: A 30th Celebration in the role of Mrs. Potts\, premiering on ABC December 15 and streaming on Disney+ as of December 16.
URL:https://bornbuffalo.com/event/shania-twain-queen-of-me-tour/
LOCATION:KeyBank Center\, 1 Seymour H Knox III Plaza\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/png:https://bornbuffalo.com/wp-content/uploads/2023/09/shania_twain.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231020T193000
DTEND;TZID=America/New_York:20231020T193000
DTSTAMP:20260403T132205
CREATED:20231004T203509Z
LAST-MODIFIED:20231004T203516Z
UID:4021-1697830200-1697830200@bornbuffalo.com
SUMMARY:Caña Dulce y Caña Brava
DESCRIPTION:Kleinhans Music Hall is pleased to present\nCaña Dulce y Caña Brava\nfeaturing the folk music of Veracruz\, Mexico\nKleinhans Music Hall is pleased to present Caña Dulce y Caña Brava coming to the Mary Seaton Room on Friday\, October 20\, 2023 at 7:30 PM. Tickets are on sale now to the public and start at $35.  Music lovers can enjoy a 10% discount on the purchase of 4 or more tickets using code GROOVES at checkout. \nCaña Dulce y Caña Brava offers a performance which exhibits the music\, poetry\, dance and traditional attire of Veracruz\, Mexico\, interpreted by artists who are beneficiaries of the jarocho culture and noteworthy performers with years of experience on both national and international stages. The group stands out as an artistic project that highlights feminine poetry and voices. Creating an experience that connects the spectator with distinct emotions\, one is taken on voyage through multiple rhythms\, accompanied by traditional string instruments such as the harp and the jarana\, percussion and zapateado\, poetic improvisation in rhyme and the projection of visual effects. Offering an assortment of colors\, textures and images to diverse and multi-generational audiences\, the ensemble is defined by an original aesthetic concept that unites the traditional with the vanguard in a contemporary stage proposal. \nSince its formation in 2007\, the group has carried the seal of feminine strength and beauty within the traditionally masculine world of Mexican son. \nThe sounds of the strings interweave with the poetic messages written from a woman’s perspective\, creating a facet not before seen within this musical genre. \nThe zapateado (percussive dance) on the tarima (wooden platform) accentuates the beat\, while the band’s colorful wardrobe embellishes their musicality. Appealing instrumental landscapes include the captivating vibrations of the horse jaw\, the profound and mystical harmonies of the harp\, the percussive atmosphere created by the jarana\, the robust rhythm of the guitarra grande\, and the renaissance-sounding bowed instruments created ex profeso for the group\, resurrecting extinct baroque instrumentation. \nThe tour for Caña Dulce y Caña Brava in the United States has been supported by the Mexican Minister of Culture and Ibermúsicas \nAbout Global Grooves \nThe Global Grooves music series\, aims to bridge cultures and ignite a shared passion for music.  Through captivating performances which highlight a variety of cultures\, it celebrates the rich tapestry of musical traditions from around the world\, fostering cross-cultural understanding\, appreciation\, and unity among the beautifully diverse community of WNY. Kleinhans’ commitment to artistic excellence and cultural exploration drove them to curate a concert experience that transcends boundaries and enriches the human spirit.
URL:https://bornbuffalo.com/event/cana-dulce-y-cana-brava/
LOCATION:Kleinhans Music Hall\, 3 Symphony Circle\, Buffalo\, NY\, 14201\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/10/Cana-Dulce-y-Cana-Brava-SQUARE-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231020T200000
DTEND;TZID=America/New_York:20231020T200000
DTSTAMP:20260403T132205
CREATED:20230915T161614Z
LAST-MODIFIED:20230920T184034Z
UID:3098-1697832000-1697832000@bornbuffalo.com
SUMMARY:FARROW
DESCRIPTION:Farrow will be celebrating their 100th show at Buffalo Iron Works on Friday October 20th\, 2023! \nFarrow \nFARROW is a Rock ‘n’ Soul band from Buffalo\, New York with high-energy shows\, thought-provoking lyrics\, and infectious melodies. They believe Joy is Revolutionary! \nThis diverse group of musicians creates songs that make you move to the movement and savor everyday joys like eating a fried pierogi dipped in hot sauce. Led by producer/bass player André Pilette and singer/lyricist Michael Farrow\, the band features Tim Webb on drums\, Michael Ruopoli on percussion\, Cory Clancy on guitar\, Rufus “Breezy” Cole Jr. on keys\, and Danielle Johnson on vocals. \nRecent performance highlights include Borderland Music + Arts Festival\, North By Northeast Music Festival (Toronto)\, Bowery Electric (NYC)\, Rockwood Music Hall (NYC)\, Jamey’s House of Music (Philadelphia)\, Shea’s Performing Arts Center\, Town Ballroom\, Buffalo Iron Works\, Sportsmen’s Tavern\, Erie County Fair\, and several outdoor summer concert series around Western New York.\nThis show at Buffalo Iron Works on Friday\, October 20 marks the band’s 100th show since forming in the summer of 2019. We hope you’ll join us for this celebration of joy! \nBuffalo Iron Works \n49 Illinois St Buffalo\, NY 14203 \nTickets: $15 ADV/$20 DOS \nDoors: 8:00pm \nShow: 9:00pm \nAges: 18+
URL:https://bornbuffalo.com/event/farrow/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Farrow.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231020T200000
DTEND;TZID=America/New_York:20231020T200000
DTSTAMP:20260403T132205
CREATED:20230930T131431Z
LAST-MODIFIED:20230930T133415Z
UID:3869-1697832000-1697832000@bornbuffalo.com
SUMMARY:AbbaFab
DESCRIPTION:AbbaFab\nHaving played to sold-out crowds across the U.S. and abroad\, ABBAFAB is a stunning tribute to the music of ABBA featuring the sensational talents of some of TAD’s most talented and loved artists and musicians! This multimedia production is a tribute to some of the greatest music produced in the 70’s and 80’s including monster hits such as Waterloo\, Fernando\, Honey Honey\, Dancing Queen and countless others. From ABBA’s earliest hits to Mamma Mia\, ABBAFAB will take you on a technicolor journey that is unmatched. Our vocalists and musicians have toured the world as solo artists and band members and have come together to create the most entertaining ABBA tribute on the market today! \nABBA’s record breaking string of hits has stood the test of time and continues to thrill audiences of all ages. With vocals and musicianship\, they are second to none\, the ABBAFAB vibe is infectious! ABBA fans love it and new ABBA fans are created at every show. There’s no generation gap here\, so let’s ALL party like it’s1979!
URL:https://bornbuffalo.com/event/abbafab/
LOCATION:Shea’s 710 Theater\, 710 Main Street\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Buffalo Event,Live Music,Theater
ATTACH;FMTTYPE=image/png:https://bornbuffalo.com/wp-content/uploads/2023/09/AbbafabFINAL.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231021T180000
DTEND;TZID=America/New_York:20231021T180000
DTSTAMP:20260403T132205
CREATED:20230915T161834Z
LAST-MODIFIED:20230915T161834Z
UID:3101-1697911200-1697911200@bornbuffalo.com
SUMMARY:FERNWAY HALLOWEEN SHOW
DESCRIPTION:Fernway returns to Buffalo Iron Works on Saturday October 21st for their annual Halloween show! \nLineup Includes: Fernway\, Eternal Boy\, Diyené\, America Part Two & Tuesday Nite \nFernway \nCelebrating Fernways’ fifth annual Halloween show with immense excitement. This will be the bands last easy Halloween gig since they’re now bicoastal and focused on creating a new full-length record.\nLooking forward to sharing scares\, a cool costume contest\, and rocking the night away! \nBuffalo Iron Works \n49 Illinois St Buffalo\, NY 14203 \nTickets: $15 ADV/$20 DOS \nDoors: 6:00pm \nShow: 7:00pm \nAges: 18+
URL:https://bornbuffalo.com/event/fernway-halloween-show/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Fernway.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231021T190000
DTEND;TZID=America/New_York:20231021T190000
DTSTAMP:20260403T132205
CREATED:20231006T123001Z
LAST-MODIFIED:20231006T123001Z
UID:4307-1697914800-1697914800@bornbuffalo.com
SUMMARY:SAN HOLO: EXISTENTIAL DANCE MUSIC
DESCRIPTION:SAN HOLO: EXISTENTIAL DANCE MUSIC\nDoors / Show 7pm \nSan Holo\nsanholo.com\ntwitter.com/sanholobeats\ninstagram.com/sanholobeats\nsoundcloud.com/sanholobeats \nBorn Sander van Dijck\, his catalog reads like a diary. Falling in love with punk and alt-rock\, he learned to play the guitar and make noise of his own. Coming up as a future bass producer in the Soundcloud era\, San’s unique style and honest approach to songwriting has earned him a loyal following that supported his independent debut album\, cementing the artist as a star in a league all his own\, while earning the praise of critics and peers from rock icons like Rivers Cuomo and Tom Morello to producers such as Porter Robinson. \nFor San Holo\, everything is personal. Every note is a story and each lyric a memory\, a hyper-real exploration of purpose\, emotion and shared experience. The Dutch producer lives in his own space\, crafting a world of beauty and sentiment through what he calls ‘existential dance music’ (EDM). \nWhether playing a sold-out show at The Shrine\, a massive crowd at Coachella or headlining at Red Rocks Amphitheatre\, every San Holo show feels like an intimate experience. His fans are fiercely loyal\, singing along to each song\, some of them tattoo’d with his lyrics\, and many of them decorating their social handles with echoes of his “stay vibrant” philosophy. \nIn 2022\, San Holo teamed up with popular mental health app\, Calm\, for his “Stay Vibrant” mix series. While other artists in the dance music sphere and industry at large may shy away from the rawer aspects of the human experience\, San Holo has established himself both as an individual and a brand that encourages listeners to embrace one another’s vulnerabilities. “Stay vibrant” is a concept that asks for honesty with oneself and others\, to check in with yourself and your friends about how you’re really doing in triumphant or trying times. \nSan Holo’s single ‘All The Highs’ is a testament – simply put – to all of the lows and all of the highs\, and remembering the ebbs and flows of the human experience. The song featured on FIFA 2023’s official soundtrack and received strong support across digital platforms upon release including Spotify’s New Music Friday and #1 on Apple Music’s Breaking Dance. The official music video was added to rotation on MTV Live and San dropped a sold out ‘All The Highs’ NFT on Sound.XYZ. To celebrate the release\, San partnered with Brownies & Lemonade for an intimate release party where he performed a DJ set in an elevator. \nHis latest single ‘DON’T LOOK DOWN (feat. Lizzy Land)’ was initially started in a session with RL Grime before bringing in singer and songwriter Lizzy Land to add vocals to the track. Of the song\, San Holo says\, “DON’T LOOK DOWN is here to remind you that your doubts and negative thoughts are just like clouds passing by. We easily get caught up in the noise of everyday life\, myself included.” This is existential dance music! \nw/ special guests \nDROELOE\ndroeloe.com \nOddKidOut\ninstagram.com/oddkidout \nlocal support\nZwaan \nProduced by:\nmnmpresents.com
URL:https://bornbuffalo.com/event/san-holo-existential-dance-music/
LOCATION:Bufffalo Riverworks\, 359 Ganson St.\, Buffalo\, 14203\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/webp:https://bornbuffalo.com/wp-content/uploads/2023/10/SanHolo-EDM-ADMAT-buffalo-1x1-1-scaled-1.webp
ORGANIZER;CN="MNM Presents":MAILTO:mike@mnmpresents
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231021T193000
DTEND;TZID=America/New_York:20231021T193000
DTSTAMP:20260403T132205
CREATED:20231005T110436Z
LAST-MODIFIED:20231005T110445Z
UID:4043-1697916600-1697916600@bornbuffalo.com
SUMMARY:Haydn’s The Clock
DESCRIPTION:Haydn’s The Clock\nJulius Williams makes his BPO conducting debut leading Haydn’s exuberant “The Clock” symphony and expressive violinist Tessa Lark’s performances of Dvořák’s Romance and Ravel’s Tzigane. The program also features the turn-of-the-century Rhapsodic Overture of Edmund Thornton Jenkins\, and the inspirational Moments of Arrival by Elena Roussanova. \nProgram\nJulius P. Williams\, conductor\nTessa Lark\, violin \nJENKINS  Rhapsodic Overture\nDVOŘÁK  Romance in F minor for Violin and Orchestra\nRAVEL  Tzigane for Violin and Orchestra\nELENA ROUSSANOVA  Moments of Arrival\nI. Moving Forward\nII. Reflection\nIII. The Moment of Arrival\nHAYDN  Symphony No. 101 in D major\, “The Clock”\nI. Adagio – Presto\nII. Andante\nIII. Menuet: Allegretto\nIV. Finale: Vivace \nAbout Tessa Lark\nViolinist Tessa Lark is one of the most captivating artistic voices of our time\, consistently praised by critics and audiences for her astounding range of sounds\, technical agility\, and musical elegance. A budding superstar in the classical realm\, in 2020 she was nominated for a Grammy in the Best Classical Instrumental Solo category. She is also a highly acclaimed fiddler in the tradition of her native Kentucky\, delighting audiences with programming that includes Appalachian and bluegrass music and inspiring composers to write for her. \nFollowing a busy summer that saw her perform with NY’s Carnegie Hall Citywide\, La Jolla Music Society SummerFest\, and the Ravinia Festival\, among many others\, highlights of Lark’s 2023-24 season include the world premiere of Carlos Izcaray’s Violin Concerto – written for her – under the composer’s baton with the Alabama Symphony; and concerts with the Stuttgarter Philharmoniker\, marking both her European orchestral debut and her first performances of Gang Chen and Zhanhao He’s Violin Concerto\, “Butterfly Lovers.” She reprises Michael Torke’s violin concerto\, Sky – also written for her\, and the 2020 recording of which earned her a Grammy nomination – with Oklahoma’s Signature Symphony and the Sarasota Orchestra; returns to South Carolina’s Greenville Symphony\, the Virginia Symphony\, and England’s City of Birmingham Symphony Orchestra; and performs as a chamber musician in duos with double bassist Michael Thurber and jazz guitarist Frank Vignola. \nLark’s newest album\, The Stradgrass Sessions\, released in spring 2023\, features an all-star roster of collaborators and composers including double bassist Edgar Meyer\, pianist Jon Batiste\, mandolinist Sierra Hull\, and fiddler Michael Cleveland. Album selections mix original compositions by Lark and her collaborators with a sonata by Eugène Ysaÿe\, a selection of Bartók’s violin duets arranged for violin and mandolin\, and the world premiere recording of John Corigliano’s STOMP. \nThe violinist has performed with orchestras and at recital venues and festivals around the world. She has appeared with the Royal Scottish National Orchestra; the Louisville Orchestra; and the Albany\, Indianapolis\, Knoxville and Seattle Symphonies; as well as being presented by Carnegie Hall\, New York’s Lincoln Center\, London’s Wigmore Hall\, Amsterdam’s Concertgebouw\, the Music Center at Strathmore\, the Isabella Stewart Gardner Museum in Boston\, Cal Performances\, San Francisco Performances\, the Seattle Chamber Music Society\, Australia’s Musica Viva Festival\, and the Marlboro\, Mostly Mozart\, and Bridgehampton summer festivals. \nLark’s debut commercial recording was the Grammy-nominated Sky\, a bluegrass-inspired violin concerto written for her by Michael Torke and performed with the Albany Symphony Orchestra. Her discography also includes Fantasy on First Hand Records: fantasias by Schubert\, Telemann and Fritz Kreisler; Ravel’s Tzigane; and Lark’s own composition\, Appalachian Fantasy. Invention\, marking the debut album for the violin-bass duo of Lark and her fiancé\, Michael Thurber\, comprises arrangements of Two-Part Inventions by J. S. Bach along with original compositions by both duo partners. A live recording of Astor Piazzolla’s Four Seasons of Buenos Aires was released in 2021 by the BPO in honor of Piazzolla’s centenary. \nLark is a recipient of the Hunt Family Award\, one of Lincoln Center’s prestigious Emerging Artist Awards\, as well as a 2018 Borletti-Buitoni Trust Fellowship and a 2016 Avery Fisher Career Grant. She was Silver Medalist in the 9th Quadrennial International Violin Competition of Indianapolis\, and winner of the 2012 Naumburg International Violin Competition. \nIn addition to her performance schedule\, Lark was recently named Artistic Director of Musical Masterworks\, a chamber music presenter in Old Lyme\, Connecticut. She champions young aspiring artists and supports the next generation of musicians through her work as Co-host/Creative of NPR’s From the Top\, the premier radio showcase for the nation’s most talented young musicians. She also serves as Mentor and board member of the Irving M. Klein International Strings Competition. \nLark is a graduate of New England Conservatory and completed her Artist Diploma at The Juilliard School\, where she studied with Sylvia Rosenberg\, Ida Kavafian\, and Daniel Phillips. Her primary mentors include Cathy McGlasson\, Kurt Sassmannshaus\, Miriam Fried\, and Lucy Chapman. She plays a c. 1600 G.P. Maggini violin on loan from an anonymous donor through the Stradivari Society of Chicago. \nAbout Julius Williams\nJulius P. Williams is an award-winning conductor\, composer\, recording artist\, educator\, author\, and pianist. Named one of Musical America’s Top 30 Professionals of the Year for 2022\, his career has taken him from his native New York to musical venues across the globe\, and has involved virtually every musical genre. He has conducted American orchestras in Dallas\, Oakland\, New Haven\, New Jersey\, Vermont\, Knoxville\, Sacramento\, Tulsa\, Savannah\, and more\, in addition to the Harlem Symphony\, Color of Music Festival Orchestra\, and New Works Orchestra. Career highlights include debuting at Carnegie Hall with the Symphony Saintpaulia; serving as Music Director of the Washington Symphony (1998-2003); and conducting the Pulitzer Prize-winning opera by Anthony Davis\, The Central Park Five\, premiering and preparing the work for Trilogy: An Opera Company (New Jersey). Williams’ other past positions include Artistic Director of the Costa del Sol Music Festival in Spain\, and Artistic Director of the School of Choral Studies at the NY State Summer School of the Arts for ten seasons. \nWilliams is currently Artistic Director of the Berklee Contemporary Symphony Orchestra\, and Professor of Composition at the Berklee College of Music in Boston\, as well as Music Director and conductor of Trilogy: An Opera Company. He is the immediate past president of the International Conductors Guild\, and Co-Chair of the League of American Orchestras’ Conductors Constituency. In the past\, Williams served as Assistant Conductor to Lukas Foss\, former BPO Music Director\, with the Brooklyn Philharmonic and the American Symphony in NY. Recently\, Williams conducted on tour with the Oberlin Conservatory Opera and the Cleveland Opera Theater\, receiving rave reviews for performances of Nkeiru Okoye’s opera\, Harriet Tubman. He was a guest conductor with the One World Festival Orchestra in Virginia\, and conducted a Gala performance with the Dallas Symphony at the Black Academy of Arts and Letters’ Riverfest Jazz Festival. In 2021\, he conducted the score for the Academy Award-eligible film\, Sky Blossom. This past season included conducting the Color of Music Festival Orchestra in Sacramento\, and the concert series at Boston’s Isabella Gardner Museum. In Europe\, Williams has performed and recorded with numerous esteemed symphonies. He has also been featured on national television\, profiled on CBS News’ Sunday Morning. \nA prolific composer\, Williams has created works for virtually every genre of contemporary classical performance\, including opera\, ballet\, orchestra\, chamber ensemble\, chorus and solo voice\, dance\, musical theatre\, and film. His music has been performed by countless orchestras including the New York Philharmonic\, Cleveland Orchestra\, Detroit Symphony\, St. Louis Symphony\, and Boston Pops. He has also served as Composer-in- Residence of Connecticut’s Nutmeg Ballet Company\, which premiered his ballet\, Cinderella. His opera\, Guinevere\, was performed at the Aspen Music Festival and at the Dubrovnik Summer Festival in Croatia. He composed the score for the film\, What Color is Love?\, and also scored the theatrical production to In Dahomey. Additionally\, Williams has served as a composer with the Boston Symphony’s Composer-In-Residence Project\, and as cover conductor for the Boston Pops Orchestra and the Rhode Island Philharmonic. His recordings are on the Albany\, Centaur\, Naxos and Videmus record labels. In 2024\, two new albums of orchestral music will be released on the Albany record label. \nIn addition to his conducting and composing careers\, Williams maintains a demanding schedule of speaking engagements\, consulting\, and academics. Williams is the recipient of many awards for musical and academic achievement: an Honorary Doctorate from Keene State College in New Hampshire\, the Detroit Symphony’s Emerging Composer Award\, the Gracie Allen Documentary Award\, the Distinguished Medal of Artistic Achievement from the Ecuador Youth Symphony Orchestra Foundation\, the Honorary Distinguished Alumnus Award from Langston University\, the Marquis Who’s Who Lifetime Achievement Award\, proclamations from the mayor and council of Newark for artistic contributions in 2023\, the National Culture of the Arts Award from the Association of Foreign Language Teachers of NY\, and  various ASCAP awards in composition for the past forty years.
URL:https://bornbuffalo.com/event/haydns-the-clock/
LOCATION:Kleinhans Music Hall\, 3 Symphony Circle\, Buffalo\, NY\, 14201\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/png:https://bornbuffalo.com/wp-content/uploads/2023/10/HaydnsTheClock.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231021T193000
DTEND;TZID=America/New_York:20231021T193000
DTSTAMP:20260403T132205
CREATED:20231005T110436Z
LAST-MODIFIED:20231005T110445Z
UID:4043-1697916600-1697916600@bornbuffalo.com
SUMMARY:Haydn’s The Clock
DESCRIPTION:Haydn’s The Clock\nJulius Williams makes his BPO conducting debut leading Haydn’s exuberant “The Clock” symphony and expressive violinist Tessa Lark’s performances of Dvořák’s Romance and Ravel’s Tzigane. The program also features the turn-of-the-century Rhapsodic Overture of Edmund Thornton Jenkins\, and the inspirational Moments of Arrival by Elena Roussanova. \nProgram\nJulius P. Williams\, conductor\nTessa Lark\, violin \nJENKINS  Rhapsodic Overture\nDVOŘÁK  Romance in F minor for Violin and Orchestra\nRAVEL  Tzigane for Violin and Orchestra\nELENA ROUSSANOVA  Moments of Arrival\nI. Moving Forward\nII. Reflection\nIII. The Moment of Arrival\nHAYDN  Symphony No. 101 in D major\, “The Clock”\nI. Adagio – Presto\nII. Andante\nIII. Menuet: Allegretto\nIV. Finale: Vivace \nAbout Tessa Lark\nViolinist Tessa Lark is one of the most captivating artistic voices of our time\, consistently praised by critics and audiences for her astounding range of sounds\, technical agility\, and musical elegance. A budding superstar in the classical realm\, in 2020 she was nominated for a Grammy in the Best Classical Instrumental Solo category. She is also a highly acclaimed fiddler in the tradition of her native Kentucky\, delighting audiences with programming that includes Appalachian and bluegrass music and inspiring composers to write for her. \nFollowing a busy summer that saw her perform with NY’s Carnegie Hall Citywide\, La Jolla Music Society SummerFest\, and the Ravinia Festival\, among many others\, highlights of Lark’s 2023-24 season include the world premiere of Carlos Izcaray’s Violin Concerto – written for her – under the composer’s baton with the Alabama Symphony; and concerts with the Stuttgarter Philharmoniker\, marking both her European orchestral debut and her first performances of Gang Chen and Zhanhao He’s Violin Concerto\, “Butterfly Lovers.” She reprises Michael Torke’s violin concerto\, Sky – also written for her\, and the 2020 recording of which earned her a Grammy nomination – with Oklahoma’s Signature Symphony and the Sarasota Orchestra; returns to South Carolina’s Greenville Symphony\, the Virginia Symphony\, and England’s City of Birmingham Symphony Orchestra; and performs as a chamber musician in duos with double bassist Michael Thurber and jazz guitarist Frank Vignola. \nLark’s newest album\, The Stradgrass Sessions\, released in spring 2023\, features an all-star roster of collaborators and composers including double bassist Edgar Meyer\, pianist Jon Batiste\, mandolinist Sierra Hull\, and fiddler Michael Cleveland. Album selections mix original compositions by Lark and her collaborators with a sonata by Eugène Ysaÿe\, a selection of Bartók’s violin duets arranged for violin and mandolin\, and the world premiere recording of John Corigliano’s STOMP. \nThe violinist has performed with orchestras and at recital venues and festivals around the world. She has appeared with the Royal Scottish National Orchestra; the Louisville Orchestra; and the Albany\, Indianapolis\, Knoxville and Seattle Symphonies; as well as being presented by Carnegie Hall\, New York’s Lincoln Center\, London’s Wigmore Hall\, Amsterdam’s Concertgebouw\, the Music Center at Strathmore\, the Isabella Stewart Gardner Museum in Boston\, Cal Performances\, San Francisco Performances\, the Seattle Chamber Music Society\, Australia’s Musica Viva Festival\, and the Marlboro\, Mostly Mozart\, and Bridgehampton summer festivals. \nLark’s debut commercial recording was the Grammy-nominated Sky\, a bluegrass-inspired violin concerto written for her by Michael Torke and performed with the Albany Symphony Orchestra. Her discography also includes Fantasy on First Hand Records: fantasias by Schubert\, Telemann and Fritz Kreisler; Ravel’s Tzigane; and Lark’s own composition\, Appalachian Fantasy. Invention\, marking the debut album for the violin-bass duo of Lark and her fiancé\, Michael Thurber\, comprises arrangements of Two-Part Inventions by J. S. Bach along with original compositions by both duo partners. A live recording of Astor Piazzolla’s Four Seasons of Buenos Aires was released in 2021 by the BPO in honor of Piazzolla’s centenary. \nLark is a recipient of the Hunt Family Award\, one of Lincoln Center’s prestigious Emerging Artist Awards\, as well as a 2018 Borletti-Buitoni Trust Fellowship and a 2016 Avery Fisher Career Grant. She was Silver Medalist in the 9th Quadrennial International Violin Competition of Indianapolis\, and winner of the 2012 Naumburg International Violin Competition. \nIn addition to her performance schedule\, Lark was recently named Artistic Director of Musical Masterworks\, a chamber music presenter in Old Lyme\, Connecticut. She champions young aspiring artists and supports the next generation of musicians through her work as Co-host/Creative of NPR’s From the Top\, the premier radio showcase for the nation’s most talented young musicians. She also serves as Mentor and board member of the Irving M. Klein International Strings Competition. \nLark is a graduate of New England Conservatory and completed her Artist Diploma at The Juilliard School\, where she studied with Sylvia Rosenberg\, Ida Kavafian\, and Daniel Phillips. Her primary mentors include Cathy McGlasson\, Kurt Sassmannshaus\, Miriam Fried\, and Lucy Chapman. She plays a c. 1600 G.P. Maggini violin on loan from an anonymous donor through the Stradivari Society of Chicago. \nAbout Julius Williams\nJulius P. Williams is an award-winning conductor\, composer\, recording artist\, educator\, author\, and pianist. Named one of Musical America’s Top 30 Professionals of the Year for 2022\, his career has taken him from his native New York to musical venues across the globe\, and has involved virtually every musical genre. He has conducted American orchestras in Dallas\, Oakland\, New Haven\, New Jersey\, Vermont\, Knoxville\, Sacramento\, Tulsa\, Savannah\, and more\, in addition to the Harlem Symphony\, Color of Music Festival Orchestra\, and New Works Orchestra. Career highlights include debuting at Carnegie Hall with the Symphony Saintpaulia; serving as Music Director of the Washington Symphony (1998-2003); and conducting the Pulitzer Prize-winning opera by Anthony Davis\, The Central Park Five\, premiering and preparing the work for Trilogy: An Opera Company (New Jersey). Williams’ other past positions include Artistic Director of the Costa del Sol Music Festival in Spain\, and Artistic Director of the School of Choral Studies at the NY State Summer School of the Arts for ten seasons. \nWilliams is currently Artistic Director of the Berklee Contemporary Symphony Orchestra\, and Professor of Composition at the Berklee College of Music in Boston\, as well as Music Director and conductor of Trilogy: An Opera Company. He is the immediate past president of the International Conductors Guild\, and Co-Chair of the League of American Orchestras’ Conductors Constituency. In the past\, Williams served as Assistant Conductor to Lukas Foss\, former BPO Music Director\, with the Brooklyn Philharmonic and the American Symphony in NY. Recently\, Williams conducted on tour with the Oberlin Conservatory Opera and the Cleveland Opera Theater\, receiving rave reviews for performances of Nkeiru Okoye’s opera\, Harriet Tubman. He was a guest conductor with the One World Festival Orchestra in Virginia\, and conducted a Gala performance with the Dallas Symphony at the Black Academy of Arts and Letters’ Riverfest Jazz Festival. In 2021\, he conducted the score for the Academy Award-eligible film\, Sky Blossom. This past season included conducting the Color of Music Festival Orchestra in Sacramento\, and the concert series at Boston’s Isabella Gardner Museum. In Europe\, Williams has performed and recorded with numerous esteemed symphonies. He has also been featured on national television\, profiled on CBS News’ Sunday Morning. \nA prolific composer\, Williams has created works for virtually every genre of contemporary classical performance\, including opera\, ballet\, orchestra\, chamber ensemble\, chorus and solo voice\, dance\, musical theatre\, and film. His music has been performed by countless orchestras including the New York Philharmonic\, Cleveland Orchestra\, Detroit Symphony\, St. Louis Symphony\, and Boston Pops. He has also served as Composer-in- Residence of Connecticut’s Nutmeg Ballet Company\, which premiered his ballet\, Cinderella. His opera\, Guinevere\, was performed at the Aspen Music Festival and at the Dubrovnik Summer Festival in Croatia. He composed the score for the film\, What Color is Love?\, and also scored the theatrical production to In Dahomey. Additionally\, Williams has served as a composer with the Boston Symphony’s Composer-In-Residence Project\, and as cover conductor for the Boston Pops Orchestra and the Rhode Island Philharmonic. His recordings are on the Albany\, Centaur\, Naxos and Videmus record labels. In 2024\, two new albums of orchestral music will be released on the Albany record label. \nIn addition to his conducting and composing careers\, Williams maintains a demanding schedule of speaking engagements\, consulting\, and academics. Williams is the recipient of many awards for musical and academic achievement: an Honorary Doctorate from Keene State College in New Hampshire\, the Detroit Symphony’s Emerging Composer Award\, the Gracie Allen Documentary Award\, the Distinguished Medal of Artistic Achievement from the Ecuador Youth Symphony Orchestra Foundation\, the Honorary Distinguished Alumnus Award from Langston University\, the Marquis Who’s Who Lifetime Achievement Award\, proclamations from the mayor and council of Newark for artistic contributions in 2023\, the National Culture of the Arts Award from the Association of Foreign Language Teachers of NY\, and  various ASCAP awards in composition for the past forty years.
URL:https://bornbuffalo.com/event/haydns-the-clock/
LOCATION:Kleinhans Music Hall\, 3 Symphony Circle\, Buffalo\, NY\, 14201\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/png:https://bornbuffalo.com/wp-content/uploads/2023/10/HaydnsTheClock.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231022T190000
DTEND;TZID=America/New_York:20231022T190000
DTSTAMP:20260403T132205
CREATED:20230915T162101Z
LAST-MODIFIED:20230915T162101Z
UID:3104-1698001200-1698001200@bornbuffalo.com
SUMMARY:RAYLAND BAXTER W/ FLYTE- FALL TOUR 2023
DESCRIPTION:Twenty6 Productions Presents: Rayland Baxter w/ Flyte – FALL TOUR 2023 at Buffalo Iron Works on Sunday October 22nd\, 2023! \nRayland Baxter \nFor the making of his fourth album If I Were a Butterfly\, Rayland Baxter holed up for over a year at a former rubber-band factory turned studio in the Kentucky countryside—a seemingly humble environment that proved to be something of a wonderland. “I spent that year living in a barn with the squirrels and the birds\, on my own most of the time\, and I discovered so much about music and how to create it\,” says the Tennessee-bred singer/songwriter. “Instead of going into a studio with a producer for two weeks\, I just waited for the record to build itself. I’d get up and go outside\, see a butterfly and connect that with some impulsive thought I’d had three months ago\, and suddenly a song I’d been working on would make sense. That’s how the whole album came to be.” \nThe follow-up to 2018’s critically acclaimed Wide Awake\, If I Were a Butterfly finds Baxter co-producing alongside Tim O’Sullivan (Grace Potter\, The Head and the Heart) and Kai Welch (Molly Tuttle\, Sierra Hull)\, slowly piecing together the album’s patchwork of lush psychedelia and Beatlesesque pop. In addition to working at Thunder Sound (the Kentucky studio he called home for months on end)\, Baxter recorded in California\, Texas\, Tennessee\, and Washington\, enlisting a remarkable lineup of musicians: Shakey Graves\, Lennon Stella\, several members of Cage the Elephant\, Zac Cockrell of Alabama Shakes\, Morning Teleportation’s Travis Goodwin\, and legendary Motown drummer Miss Bobbye Hall\, among many others. In an especially meaningful turn\, two of the album’s tracks feature the elegant pedal steel work of his father\, Bucky Baxter (a musician who performed with Bob Dylan and who passed away in May 2020). Thanks to the extraordinary care and ingenuity behind its creation\, If I Were a Butterfly arrives as a work of rarefied magic\, capable of stirring up immense feeling while leaving the listener happily wonderstruck. \nBaxter’s debut release as a producer\, If I Were a Butterfly bears a dazzling unpredictability that has much to do with his limitless imagination as a collector and collagist of sound. “Sometimes the bullfrogs in the pond outside would pulse in a certain tempo and I’d apply that to a song\, or I’d hear a bird chirping and it would inspire me to add harmonica in a particular place\,” he says. “I could be walking around this massive building in the middle of the night and the air-conditioning would turn on\, and it’d give me the idea to include a synth part that holds a similar note. I’d wait for those moments to happen and whenever I tried to force anything\, the music usually rejected it.” \nA perfect introduction to If I Were a Butterfly’s elaborate sonic world\, the album-opening title track begins with a recording of a Baxter singing at age four\, then drifts into a delicately sprawling reverie ornamented with so many lovely details (lavish flute and cello melodies\, radiant horns\, the hypnotic harmonies of Lennon Stella and Baxter’s girlfriend\, Sophia Rose). “I liked the idea of the first voice on the record being me as a little kid\, not knowing where I’d be today\,” notes Baxter\, who embedded newly unearthed audio clips of himself and his older sister Brooke all throughout the album. Graced with the combustible guitar work of his bandmate Barney Cortez\, “Billy Goat” kicks up a potent tension with its restless grooves and hot-tempered gang vocals. “It’s a breakup song about being with someone who’s on a different life path—one side wants to influence the other\, and inevitably you part ways\,” says Baxter. From there\, the album takes on a feverish momentum with “Rubberband Man\,” a delightfully frenzied track channeling a wild and giddy freedom. “There’s rubber bands all over the property at Thunder Sound—in the earth\, in the concrete\, used as insulation for the studio\,” says Baxter. “I took a mishmash of images in my head and it turned into a song about staying flexible\, rolling with the punches.” \nIn its searching reflection on love and loss and striving for transcendence\, If I Were a Butterfly reaches a quietly glorious intensity on “Tadpole”: a piano ballad threaded with childhood memories at turns oddly tender (catching frogs and crawfish in a nearby toxic creek) and nightmarish (hearing the gunshot when an across-the-street neighbor took her own life). And on “My Argentina\,” If I Were a Butterfly closes out with a piano-driven and painfully raw outpouring\, its starkness intermittently broken by soulful strings and gospel-esque harmonies. “One time at the studio I stayed up all night and played that song maybe 100 times; we ended up using the last take\, which was recorded at about five in the morning\,” says Baxter. “It’s a song that represents the thoughts one might have about a perfect love life\, and I love how it ends the album in a big angelic cloud of reverb.” \nFor Baxter\, the act of self-producing such a sonically and emotionally expansive body of work proved both exhilarating and arduous. “It really wore me out to spend all that time alone at the studio\, editing the hell out of this record; my heart definitely suffered\,” he says. “But I also had the guidance of my dad\, who was in my dreams all the time—if I was moving too fast\, I’d hear him telling me to slow down.” Another profound influence on the album-making process: the 2018 deaths of Baxter’s close friends Billy Swayze (a musician whose parents owned the rubber band company that became Thunder Sound) and Tiger Merritt (the vocalist/guitarist for Morning Teleportation\, who worked with Swayze in constructing the studio). “Billy and Tiger had been going up there since 2015\, and finally they turned it into a legit recording studio\,” he says. “It’s a very special place to me\, so they’re two of the four angels I decided to dedicate this record to.” \nEven in its most somber moments\, If I Were a Butterfly wholly fulfills Baxter’s mission of imparting a certain purposeful joy. “It’s been a weird few years\, but I think the big picture is for us to just exist and find love and be loved\, and try to see that all the daily bullshit is simply bugs on the windshield\,” says Baxter. “I hope that this album makes people feel the way I do whenever I listen to my favorite records\, and that it gives them a platform to dream on.” \nBuffalo Iron Works \n49 Illinois St Buffalo\, NY 14203 \nTickets: $23 ADV/$26 DOS \nDoors: 7:00pm \nShow: 8:00pm \nAges: 18+
URL:https://bornbuffalo.com/event/rayland-baxter-w-flyte-fall-tour-2023/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/Rayland-Baxter.jpeg
ORGANIZER;CN="Twenty6 Productions":MAILTO:events@twenty6productions.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231024T180000
DTEND;TZID=America/New_York:20231024T180000
DTSTAMP:20260403T132205
CREATED:20231006T123218Z
LAST-MODIFIED:20231006T123218Z
UID:4310-1698170400-1698170400@bornbuffalo.com
SUMMARY:DROPKICK MURPHYS
DESCRIPTION:DROPKICK MURPHYS – FULL ELECTRIC SHOW\nSupport: The Interrupters\, Jesse Ahern \nVenue: Buffalo RiverWorks \nDoors: 6:00pm \nShow: 7:00pm \nAge Restriction: All Ages Admitted \nPrice: $49.50 advance / $55 day of show \nTickets on sale this Friday\, May 19th @ 10am
URL:https://bornbuffalo.com/event/dropkick-murphys/
LOCATION:Bufffalo Riverworks\, 359 Ganson St.\, Buffalo\, 14203\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/webp:https://bornbuffalo.com/wp-content/uploads/2023/10/Dropkick-Murphys-Revised-Vertical-Feed-1.webp
ORGANIZER;CN="After Dark Presents":MAILTO:info@afterdarkpresents.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231024T190000
DTEND;TZID=America/New_York:20231024T190000
DTSTAMP:20260403T132205
CREATED:20230915T162249Z
LAST-MODIFIED:20230915T162249Z
UID:3107-1698174000-1698174000@bornbuffalo.com
SUMMARY:THE FURIOUS BONGOS – A FRANK ZAPPA PROJECT FEAT. CHAD WACKERMAN
DESCRIPTION:The Furious Bongos – A Frank Zappa Project feat. Chad Wackerman performs live at Buffalo Iron Works – Tuesday October 24th\, 2023! \nThe Furious Bongos \nWe’re only in it for the money. HAHAHAHA \nActually\, we’re just a bunch of professional musicians with pretty diverse backgrounds who decided to take on a pretty big challenge and have some fun in the process. \nNow\, you might ask\, “Oh yeah? ‘Professional’ musicians\, eh? What makes you think you can play Frank’s music as well as [insert Zappa family member here]?” \nWell…you might not have heard of us individually\, but you have heard of the people we’ve spent our careers working with (and we don’t mean “I played a 10am slot at a festival once that was headlined by Famous Artist X”): \nYo Yo Ma\, Mick Fleetwood\, BB King\, REM\, Vinnie Colaiuta\, Oasis\, LA Philharmonic\, Madison Symphony\, Arthur Barrow\, Munich Philharmonic\, Bryan Beller\, India Arie\, Popa Chubby\, Limelight: A Tribute To Rush\, Pinetop Perkins\, Chicago Lyric Opera\, Arrested Development\, Madison Opera\, blah blah blah….you get the idea. \nWhen it came to the music\, Frank was constantly changing things\, and he allowed his band members to bring their unique voices to the table. He also understood that his live performances were entertainment: it’s supposed to be a rock show\, not a piano recital. \nWith that in mind\, we don’t think playing Song X from Album Y note-for-note while staring at our shoes is the proper way to go about this. \nThe result of that approach (combined with a lot of homework) is a show that pays respect to Zappa’s legacy\, but is also new and different and dangerous and FUN\, with lots of eyebrows. Kinda like Frank. \nTickets: $20 ADV/$25 DOS\nDoors: 7:00pm\nShow: 8:00pm\nAges: 18+
URL:https://bornbuffalo.com/event/the-furious-bongos-a-frank-zappa-project-feat-chad-wackerman/
LOCATION:Buffalo Iron Works\, 49 Illinois St\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Buffalo Event,Live Music,Nightlife
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/The-Furious-Bongos.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231024T193000
DTEND;TZID=America/New_York:20231024T193000
DTSTAMP:20260403T132205
CREATED:20230915T144457Z
LAST-MODIFIED:20230915T144457Z
UID:3070-1698175800-1698175800@bornbuffalo.com
SUMMARY:Moulin Rouge!
DESCRIPTION:Pop the champagne\, Moulin Rouge! The Musical is the winner of 10 Tony Awards® — including Best Musical! \nEnter a world of splendor and romance\, of eye-popping excess\, of glitz\, grandeur\, and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment. Welcome to Moulin Rouge! The Musical! Baz Luhrmann’s revolutionary film comes to life onstage\, remixed in a new musical mash-up extravaganza. Directed by Tony Award® winner Alex Timbers\, Moulin Rouge! The Musical is a theatrical celebration of Truth\, Beauty\, Freedom\, and — above all — Love. With a book by Tony Award® winner John Logan; music supervision\, orchestrations\, and arrangements by Tony Award® winner Justin Levine; and choreography by Tony Award® winner Sonya Tayeh\, Moulin Rouge! is more than a musical — it is a state of mind.
URL:https://bornbuffalo.com/event/moulin-rouge/
LOCATION:Shea’s Buffalo Theatre\, 646 Main Street\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Buffalo Event,Live Music,Theater
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/MoulinRouge_1600x700.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231024T193000
DTEND;TZID=America/New_York:20231024T193000
DTSTAMP:20260403T132205
CREATED:20231006T104731Z
LAST-MODIFIED:20231006T104731Z
UID:4263-1698175800-1698175800@bornbuffalo.com
SUMMARY:Halloween Bat Sh*t Bingo @ Resurgence!
DESCRIPTION:Halloween Bat Sh*t Bingo @ Resurgence! \nMark your calendars for another epic bingo experience with taunting\, laughing\, music\, prizes\, AND Halloween costumes! \nGet spooky and bring your lucky bingo dabbers for the next BatSh*t Bingo on October 24! \nDon’t forget– your first beer is on the house!
URL:https://bornbuffalo.com/event/halloween-bat-sht-bingo-resurgence/
LOCATION:Resurgence Taproom\, 55 Chicago St.\, Buffalo\, NY\, 14204\, United States
CATEGORIES:Buffalo Event,Live Music
ATTACH;FMTTYPE=image/webp:https://bornbuffalo.com/wp-content/uploads/2023/10/Bat-ShT-Bingo-5.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231025T193000
DTEND;TZID=America/New_York:20231025T193000
DTSTAMP:20260403T132206
CREATED:20230915T144806Z
LAST-MODIFIED:20230915T144932Z
UID:3075-1698262200-1698262200@bornbuffalo.com
SUMMARY:Moulin Rouge!
DESCRIPTION:Pop the champagne\, Moulin Rouge! The Musical is the winner of 10 Tony Awards® — including Best Musical! \nEnter a world of splendor and romance\, of eye-popping excess\, of glitz\, grandeur\, and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment. Welcome to Moulin Rouge! The Musical! Baz Luhrmann’s revolutionary film comes to life onstage\, remixed in a new musical mash-up extravaganza. Directed by Tony Award® winner Alex Timbers\, Moulin Rouge! The Musical is a theatrical celebration of Truth\, Beauty\, Freedom\, and — above all — Love. With a book by Tony Award® winner John Logan; music supervision\, orchestrations\, and arrangements by Tony Award® winner Justin Levine; and choreography by Tony Award® winner Sonya Tayeh\, Moulin Rouge! is more than a musical — it is a state of mind.
URL:https://bornbuffalo.com/event/moulin-rouge-2/
LOCATION:Shea’s Buffalo Theatre\, 646 Main Street\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Buffalo Event,Live Music,Theater
ATTACH;FMTTYPE=image/jpeg:https://bornbuffalo.com/wp-content/uploads/2023/09/MoulinRouge_1600x700.jpeg
END:VEVENT
END:VCALENDAR